Please join us for the next session of this year‘s Eighteenth-Century Research Seminar series at the University of Edinburgh. The session will present new work on gender and food studies and will feature Catherine Ellis (Durham University) 0n ‘How to understand the sex worker at the table: gastrocritical approaches to eighteenth-century French prostitution’, andJessica Hamel-Akré (University of Montreal), whose paper is entitled ‘“Oh, when shall I be holy?”: Reading and Writing Women’s Eighteenth-Century Self-Starvation’.
All welcome. Seminars are held at the Institute for Advanced Studies in the Humanities, University of Edinburgh, from 4:30-6pm, and are followed by a drinks reception.
You can also follow the series on its twitter account @ECRS_Edinburgh. We’ll be live-tweeting the papers from that handle.
Robert Dighton, The Macaroni Painter, or Billy Dimple sitting for his Picture, 1772. British Museum, London.
First up, Dominic Janes’ post, ‘A Queer Taste for Macaroni‘, on the Public Domain Review. I recently had an article accepted for a special issue of Aphra Behn Online: Interactive Journal for Women in the Arts, 1640-1830 that explores the concept of “camp” with regards to eighteenth-century studies. My article will locate macaronism within a visual and ironic rhetoric of campness, and Janes’ new book Oscar Wilde Prefigured: Queer Fashioning and British Caricature, 1750-1900 is an essential resource for this work.
Secondly, I was hugely excited to read about the National Gallery of Victoria’s upcoming exhibition Love: Art of Emotion 1400–1800, which draws upon the NGV’s diverse permanent collection to explore the theme of love in art, and the changing representations of this complex emotion throughout the early modern period in Europe.
I also enjoyed reading this review of the Fitzwilliam Museum, Cambridge’s exhibition Madonnas and Miracles: The Holy Home in Renaissance Italy, which the role of domestic objects in sustaining and inspiring faith.
I was also intrigued to read: this post from Notches Blog on ‘Porno Chic and the Sex Wars: A Roundtable on the Politics of Sexual Representations in the 1970s‘; and this fascinating article on the spiritualist artist Hima af Klint.
I’ve got several multi-media picks this week: first, this episode of The Why Factor on using our hands; this episode of the Art Detective Podcast on Tipu’s Tiger – with Sona Datta; and finally, this video of Mary Beard’s lecture, Women in Power.
The following CFPs and conferences also caught my attention this week:
CFP: Fashion, Dress, and Post-Postmodernism (September 20, 2017)
CFP: Vistas. 19th Century Studies (Philadelphia, 15-17 Mar 18)
CONF: Rejection & Recovery in the History of Art & Architecture (Boston, 24-25 Mar 17)
CFP: Early Netherlandish Art in the Long 19th Century (Ghent, 24 – 26 May 18)
CFP: Art of Power: The 3rd Earl of Bute, Politics and Collecting in Enlightenment Britain (2nd Oct 2017 – 4th Oct 2017)
WORKSHOP: Approaching Inner Lives: Thinking, Feeling, Believing, 1300-1900 (Tuesday 28 March 2017)
John Richard Coke Smyth, Elizabeth, Lady Eastlake. Watercolour
4 3/4 in. x 4 1/4 in. (121 mm x 108 mm), National Portrait Gallery, London.
First up, the conference programme for the Writing Art: Women Writers as Art Critics in the Long Eighteenth Century conference. The conference intersects with a number of my projects, firstly an article I’m currently writing on eighteenth- and nineteenth-century women travel writers and the narratives they tell through objects, and secondly, #WaysofSheing, a twitter-based project that aims to highlight and celebrate the contributions of female art historians. The conference features presentations on Elizabeth, Lady Eastlake (pictured above), Germaine de Staël, and the travel writer Maria Graham.
I enjoyed Sarah Read’s article ‘‘Gushing Out Blood’: Defloration and Menstruation in Memoirs of a Woman of Pleasure‘, from a recent edition of the Journal of Medical Humanities. In the article Read explores how Cleland ‘repeatedly depicts and eroticises the act of defloration’ in his erotic 1740s novel Fanny Hill.
Deborah Cohen’s The Atlantic article ‘Before Straight and Gay: The discreet, disorienting passions of the Victorian era‘, which begins with a microcosmic examination of the queer histories of the Benson family, is a fascinating read.
I was fascinated by this BBC News video, on the forgotten Victorian botanical painter Marianne North.
I also really enjoyed this revealing interview with April Haynes, author of Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth-Century America in a recent post on the Notches blog.
As ever, the Public Domain Review has been a wonderful source of articles and objects. I particularly enjoyed this recent essay by Yvonne Seale on nineteenth-century genealogy.
The following CFPs and conferences also caught my attention:
CONF: Women, Authorship, and Identity in the Long Eighteenth Century: New Methodologies (June 17, 2017)
CFP: Anonymity Unmasked: Identity, Agency, Responsibility (September 13-15, 2017)
CFP: Death and the Maiden (July 21-24, 2017)
CFP: Romanticism and Popular Culture (November 3-5, 2017)
Photo via @
A number of institutions are seeking to preserve the material culture and oral history of last week’s Women’s Marches: the Bishopsgate Institute (London) are collecting placards, signs, and posters made as part of the event, while History Workshop Journal issued a call for contributions for reflections from those who attended.
The following journals, CFPs, and events also caught my eye:
TOC: ABE Journal – Architecture Beyond Europe, Issue 9-10, 2016
Lent term Things that Matter programme
Workshop African Americans and the Making of Early New England
GSA Seminar: Feminist Scholar-Activism and the Politics of Affect
York Summer Theory Institute in Art History 2017
CFA: NEH Summer Institute: Beyond East and West: Exchanges and Interactions across the Early Modern World (1400-1800)
CFP: Journal18 – Coordinates (Spring 2018)
CONF: Early Modern Viewers and Buildings in Motion (Durham, 25 Feb 2017)
CFP: Queer Modernism(s)
CFP: Evidence of Feeling: Law, Science and Emotions in Modern Europe
CFP: Women’s and Gender History Symposium (Urbana-Champaign)
I also enjoyed Will Pooley’s post ‘Write regularly‘, which provided both interesting reflection on, and practical responses to, this oft-heard advice.
Finally, check out Charlotte Mathieson’s fascinating review of the Victorians Decoded: Art and Telegraphy exhibition, on at the Guildhall Art Gallery.