week in review

Week in Review – 27 August

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tumblr_inline_otz2m6og971uxtbbs_1280.jpgHatfield Family Bible, Case folio BS185 1838.N4, Newberry Library

A round up of CFPs, conferences, and posts from the last week (…or so).

First up: a bit of self promo. There’s still a little while left before the deadline for our call for articles for the special issue of Nineteenth-Century Gender StudiesMaking Masculinity: Craft, Gender, and Material Production in the Long Nineteenth Century. We’d love to see articles from you! The full CFA is available here.

Similarly, Cole Collins and I are really excited to read your collage-related abstracts for our upcoming conference Collage, Montage, Assemblage: Collected and Composite Forms, 1700-Present. The CFP is available here, and we even wrote a post on our favourite scholarly works on collage here.

Next, this post from the Newberry’s blog, The Rite Stuff, examining ‘Family History in a Bible’. I really enjoy the object biography approach taken to the object.

The programmes for the Enlightened Princesses conference, the vcologies 2 working group annual meeting, and the Alma-Tadema: Antiquity at Home and on Screen conference

CFPs that caught my eye this week included:

CFP – Passing: Fashion in American Cities

CFP – Interior Provocations – Interiors without Architecture

CFP – Making Things Modular

CFP – Fire and Water: Entangled Histories of Empire and Science in the Early Modern Americas

CFP – Remarkable Things: The Agency of Objecthood and The Power of Materiality

CFP – Creative Pedagogies: Approaches to the Commonplace Book

CFP – C19: Acts of Consumption: Performance, Bodies, Culture

CFP – Crafting an Enlightened World: Patronage & Pioneers

Today marks the beginning of my last week of my Short-Term Research Fellowship at the Winterthur Museum, so once the craziness of the summer has passed, I’ll be back to regular Week in Review posts, so watch this space!

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Week in Review – 19 February

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John Richard Coke Smyth, Elizabeth, Lady Eastlake. Watercolour
4 3/4 in. x 4 1/4 in. (121 mm x 108 mm), National Portrait Gallery, London.

First up, the conference programme for the Writing Art: Women Writers as Art Critics in the Long Eighteenth Century conference. The conference intersects with a number of my projects, firstly an article I’m currently writing on eighteenth- and nineteenth-century women travel writers and the narratives they tell through objects, and secondly, #WaysofSheing, a twitter-based project that aims to highlight and celebrate the contributions of female art historians. The conference features presentations on Elizabeth, Lady Eastlake (pictured above), Germaine de Staël, and the travel writer Maria Graham.

I enjoyed Sarah Read’s article ‘‘Gushing Out Blood’: Defloration and Menstruation in Memoirs of a Woman of Pleasure‘, from a recent edition of the Journal of Medical Humanities.  In the article Read explores how Cleland ‘repeatedly depicts and eroticises the act of defloration’ in his erotic 1740s novel Fanny Hill. 

Deborah Cohen’s The Atlantic article ‘Before Straight and Gay: The discreet, disorienting passions of the Victorian era‘, which begins with a microcosmic examination of the queer histories of the Benson family, is a fascinating read.

I was fascinated by this BBC News video, on the forgotten Victorian botanical painter Marianne North.

I also really enjoyed this revealing interview with April Haynes, author of Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth-Century America in a recent post on the Notches blog.

As ever, the Public Domain Review has been a wonderful source of articles and objects. I particularly enjoyed this recent essay by Yvonne Seale on nineteenth-century genealogy.

The following CFPs and conferences also caught my attention:

CONF: Women, Authorship, and Identity in the Long Eighteenth Century: New Methodologies (June 17, 2017)

CFP: Anonymity Unmasked: Identity, Agency, Responsibility (September 13-15, 2017)

CFP: Death and the Maiden (July 21-24, 2017)

CFP: Romanticism and Popular Culture (November 3-5, 2017)

Week in Review – 8 January

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Screen Shot 2017-01-08 at 20.51.01.jpgImage via The Conversation 

Perhaps the most significant event this week, was the passing of the great art critic John Berger, whose hugely influential book and tv series ‘Ways of Seeing’, has been a touchstone of art historical and critical enquiry since its publication in the 1970s. Many excellent articles and obituaries of Berger were published this week, including this, this, and this.

I was excited to see that Joanne Begiato’s article ‘Tears and the Manly Sailor in England, c. 1760–1860‘, in the Journal for Maritime Research is free access. Download it here.

I greatly enjoyed the post, ‘Feel free to call me Dr.’ on the Tenure, She Wrote blog. It’s excellent on the politics of nomenclature in academia, and the importance of these issues for academics who are from minority backgrounds. I also enjoyed Dr Kieran Fenby-Hulse’s post, ‘From 2016 to 2017: Thoughts on Research Practice, Embedding Creativity, Punk Academia, and Work-Life Balance‘, which is also great on issues of identity within the academy.

There were a number of events that drew my attention this week, including the Centre for the History of the Emotions‘ 2017 Seminar Programme , the upcoming event ‘Living With Feeling in the Nineteenth-Century‘ at Royal Holloway’s Centre for Victorian Studies, and the Cruising the 1970s project’s eventBetween the Sheets: Radical print cultures before the queer bookshop‘.

The following CFPs also caught my eye:

Call for Submissions: Anthology on Arab Masculinity

CFP: Moving Beyond Paris and London: Influences, Circulation, and Rivalries in Fashion and Textiles between France and England, 1700-1914 (Paris, October 13-14, 2017)

CFP: Remembering the Dead: Slavery and Mortality through Visual Culture in Comparative Perspective, AHA 2018 Panel (Washington D.C., 4-7 January 2018)

Call for Submissions: Museums Journal (theme: ‘Small’)

Call for Participation: Material Culture Caucus at 2017 ASA Conference

Business, Wealth, Enterprise, and Debt: The Economic Side of Mormon History, 1830-1930

CFP: “Hope and Fear”: Interdisciplinary Conference in the Humanities

CFP: Milestones, Markers, and Moments: Turning Points in American Experience and Tradition

CFPInternational Postgraduate Port and Maritime Studies Conference (20-21 April 2017, University of Bristol)

CFP: Classical Antiquity & Memory (19th – 21st Century)

CFP: BAVS 2017 conference, Victorians Unbound

I also really enjoyed the following interview with the design historian Glenn Adamson, titled, ‘The Object as Reality-Check’. It’s a fascinating read that ties discussions of material objects, past and present, with their political contexts. Specifically, Adamson discusses this in relation to his recent course ‘Objects of Dispute‘, a 10 session-long intensive seminar offered as part of the MA in History of Design and Curatorial Studies, run jointly by The New School’s Parsons School of Design and the Cooper Hewitt Museum in New York, and in so doing, teases out the pedagogical issues of teaching about contentious material culture in the current political climate.

Tonight, I listened to my colleague Christian Weikop’s fascinating Radio 3 programme, Kandinsky – A Story of Revolution. It’s available on iPlayer now.

Finally, I note that Yale Center for British Art is advertising its Curatorial Research Fellowship opportunity – there’s just a few more days left, so submit your applications while you can!

Week in Review – 1 January

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Happy New Year to all my readers. 2017 promises to be an exciting year, but I’ll talk more about that in Wednesday’s post. For now, here’s a roundup of everything that caught my attention in the final week of 2016.

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First up, these Summer 2017 internships with the Boston Furniture Archive, which sound like a fantastic opportunity to do some hands-on collection based work.

Next, the Centre for the History of the Emotions’ 2016 Annual Lecture by Professor Stephen Brooke (University of York, CA). Titled ‘Hate and Fear: Emotion, Politics and Race in 1980s London’, the lecture is now on the centre’s youtube channel.

The Bard Graduate Center’ forthcoming Summer Institute American Material Culture: Nineteenth-Century New York (July 3–28, 2017), also caught my eye. Sponsored by the National Endowment for the Humanities, the Institute promises a in-depth look at the history of New York and its associated material culture.

Prompted by Karen Kelsky’s excellent recent Vitae blog ‘The Job Market in a New Administration’, I also read Ellen Willis’s essayIdentity Crisis‘ for the first time this month. As issues of identity are at the forefront of this changing political landscape, prolonged considerations of the meaning and manifestations of identity have never been more important. Willis’s essay, though written in 1992, is incredibly relevant for the current academic and political climate.

The following conferences, CFAs and CFPs also sound particularly interesting (with many touching on issues of identity that are so relevant to Willis’s essay):

  • CFP/Manuscripts: Special Issue of Journal of Homosexuality, “LGBTQ Popular Culture: The Changing Landscape”
  • CFP: #QueerAF: (Re)presenting Gender & Sexuality in History & Cultural Studies
  • CFP: 2017 Midwest Art History Society Session: “Is there an African Atlantic?
  • CONF: Politics in fashion and textiles (Vienna, 19-21 Jan 17)
  • CFP: Conflict, Healing and the Arts (Durham, 27 May 17)
  • CFP: The Coarseness of the Brontës: A Reappraisal (Durham, 10-11 Aug 17)
  • CFP: Material and Sensory Cultures of Religion
  • CFP: Material Culture Research Symposium (Glasgow, 12 June 17)
  • CFP: American Identities on Land and at Sea (New York, 21 Apr 17)

My final pick is the CFP for the multidisciplinary collection Colonial Caribbean Visual Cultures, which examines ‘the creation and circulation of colonial visual cultures from the Caribbean during the eighteenth and nineteenth centuries’. The CFP reminded me of another recent publication, The Colour of Shadows: Images of Caribbean Slavery by Judy Raymond. I’m excited to read each of them.

Week in Review – 11 September

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mw66053.jpgSarah Forbes Bonetta (Sarah Davies) by Camille Silvy. Albumen print, 15 September 1862
3 1/4 in. x 2 1/4 in. (83 mm x 56 mm), National Portrait Gallery, London.

My object of the week is this albumen portrait of Sarah Forbes Bonetta, which was used to illustrate the National Portrait Gallery’s event In Conversation: Portraits of the Past: Researching Black Lives in the Archives. Dr Caroline Bressey and Dr Gemma Romain will discuss their experiences of researching images of black lives in archives, before reflecting upon the position of black historical research in Britain today.

This week, Goldsmiths, University of London announced that is was launching the world’s first postgraduate degree in Queer History, beginning in 2017. Perhaps even more excitingly for those of us working on queer culture, the university is also in discussions about the creation of a National Queer Archive.

I was excited to read about the Public Domain Review’s new Conjectures Series, a forum for ‘experiments with historical form and method’. Just like Storying the Past before it, such vehicles provoke important reflection on the discipline of history and what we as historians ‘do’. The first post in the series is Easter McCraney’s discussion of longing and the objects of history, which the editor describes as a ‘history poem’.

Also from the Public Domain Review, Ryan Feigenbaum’s essay Visions of Algae in Eighteenth-Century Botany provides a compelling consideration of the cultural import of a single species of algae: Conferva fontinalis

I greatly enjoyed reading the fascinating special issue of the open access Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture (15:2), on The Greek Slave by Hiram Powers: A Transatlantic Object, edited by Martina Droth & Michael Hatt. The issue discusses Powers’s sculpture in unparalleled detail, while simultaneously locating it within a number of its cultural contexts, thereby skilfully interweaving the sculpture’s micro and macro histories. I was also excited to see the CFP for the next issue of  MDCCC 1800 – the international online journal of nineteenth-century culture – on the ‘Arts on display: the 19th century international expositions‘. Each of these ventures serve to emphasise just how exciting publishing on nineteenth-century art is at the moment.

Other CFPs, conferences, journal special issues and articles that caught my eye this week included:

The CFP for the Heritages of Migration: Moving Stories, Objects and Home conference.

The programme for the Paul Mellon Centre’s upcoming conference Art in the British Country House: Collecting and Display.

The Auricular Style: Frames conference, which brings together research in fine & decorative art histories in order to shed light on the neglected Auricular style. The conference programme is available here.

The CFP for the Refiguring Romanticisms: Cross-Temporal Translations and Gothic Transgressions seminar.

The CFP for a forthcoming special issue of Eighteenth-Century Studies on ‘Empires’.

The William Wordsworth: Poetry, People and Place MOOC, run by Lancaster University in collaboration with Dove Cottage, Wordsworth’s home between 1799 to 1808.

The Storify for BAVS 2016 conference, Consuming (the) Victorians. 

Week in Review – 21 August

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My object of the week is this c.1760 Worcester dish, which features the company’s Valentine pattern (Brian Haughton Gallery). Featuring symbols of love, the emotional qualities of the object resonate with the work I’m currently doing on my monograph project, which examines the social and emotional functions of domestic space and its associated material culture.

This week, I was also intrigued to read the article ‘Renowned Feminist Art Historian Amelia Jones Believes that the Discipline of Art History Should be Restructured to Embrace New Narratives and Diverse Voices‘. Whilst it’s true that Jones’s argument is nothing new (indeed, it has been advocated by Pollock, Parker, and Krauss among others), I find it heartening to see these views discussed on the public platform of the Huffington Post.

I’m also currently obsessed with the New York Public Library’s Emoji Bot – tweet an emoji to the bot, and it will reply with an object/image from the Library’s collections.

Other things that caught my eye this week included:

The programme for the Women’s History Scotland Annual Conference (coming up this Friday).

This Atlas Obscura article How Flower-Obsessed Victorians Encoded Messages in Bouquets.

This interview with the curator of the The Henry Moore Institute’s latest exhibition, William Hamo Thornycroft: ‘Charity And Justice’.

Thomas Dixon’s blog post What is anger? 1. Martha Nussbaum, discusses the definition of anger provided by Nussbaum’s latest book Anger and Forgiveness.

The Things That Make Us podcast, a podcast about people and the objects that have shaped them.

The programme for the Critical Love Studies Research Workshop at the University of Hull’s Love Research Network.

Linda Walsh’s new bookA Guide to Eighteenth-Century Art. I’m interested to see how (and if) Walsh integrates the concerns advocated by Jones (above) in her account of eighteenth-century art.

Week in Review – 7 August

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This week’s object of the week isn’t mine per se, but Zara Anishanslin’s. In her recently published book, Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World, Anishanslin uses the silk dress depicted above as a means to (de)construct and examine the worlds of four identifiable people who produced, wore, and represented it: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter.

 Other announcements, events, courses, and posts that caught my eye this week included:

The recent special issue of the Scandinavian Journal of History on Gender, Material Culture and Emotions in Scandinavian History. The issue contains articles on religion and emotion, needlework, botany, and Chinese porcelain.

The University of Exeter’s fascinating new MOOC Empire: the Controversies of British Imperialism, which begins today.

Sean Willcock’s fascinating article ‘Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877-1911‘, in the latest volume of Art History.

The Paul Mellon Centre for British Art’s new public lecture course, The Country House: Art, Politics, and Taste. The course covers a fascinating array of subjects over a broad period. See the syllabus here.

This videoAcademic video blogs: 5 tips for getting started. I’ve written before about enjoying both Ellie Mackin & Emma Cole’s early career researcher vlogs, so it was with interest that I watched this source from jobs.ac.uk. I believe that video blogs, much like twitter, can help to destabilise traditional hierarchies endemic to academia.

Alexis L. Boylan’s article ‘Augustus Saint-Gaudens, Robert Louis Stevenson, and the Erotics of Illness‘, from the recent issue of American Art is a gorgeously written, fascinating approach to its subject, Saint-Gaudens’ portrait miniature of the infirm Louis Stevenson.

Lily Ford’s essay Unlimiting the Bounds”: the Panorama and the Balloon View‘, the second essay in a two-part series in which she explores how balloon flight transformed our ideas of landscape.