The Week in Review is back! It is, I promise. In fact, one of my New Year’s Resolutions is to keep it going. So here’s my picks from the first week of 2019!
With Marie Kondo back in the news (let’s not get into a heated debate about what to do with your books though), I thought I’d share this great piece on her methods from 2016. Kondo is fascinating for me as a scholar of the relationship between emotions and objects, and this is a compelling examination of the phenomenon associated with her.
This nice little piece from the Guardian on the first exhibition detailing some LGBTQ+ histories of video games at Berlin’s Schwules Museum.
This great post, on ‘“so a word to the wise’: reassessing the role of the upper-class Irish father in nineteenth-century childrearing’, on the Perceptions of Pregnancy blog.
As ever, there’s lots of great things coming up. Here’s a few faves:
Embroidered with Dust and Mortar: Women and Architecture, 1660–1830
2019 Georgian Group Symposium [I particularly love the title of this one]
This great new blog on Early Modern female book ownership.
The Janet Arnold Awards for scholars working on the history of dress. £350 to £5,000, deadline 15 Jan.
So just a short one this week, but expect some longer posts once the year properly gets going…
My review of Heather McPherson’s 2017 book Art and Celebrity in the Age of Reynolds and Siddons is now available online as an early view copy from the Journal of Eighteenth-Century Studies. Check it out here.
I’m absolutely delighted to have been awarded a six-month Postdoctoral Fellowship at the Paul Mellon Centre for British Art to conduct research for my project Collage before Modernism. When I’ll take the Fellowship will depend on how the next year shapes up, but I’ll do a lengthier post soon detailing what I’ll be up to during the Fellowship soon!
Hatfield Family Bible, Case folio BS185 1838.N4, Newberry Library
A round up of CFPs, conferences, and posts from the last week (…or so).
First up: a bit of self promo. There’s still a little while left before the deadline for our call for articles for the special issue of Nineteenth-Century Gender Studies, Making Masculinity: Craft, Gender, and Material Production in the Long Nineteenth Century. We’d love to see articles from you! The full CFA is available here.
Similarly, Cole Collins and I are really excited to read your collage-related abstracts for our upcoming conference Collage, Montage, Assemblage: Collected and Composite Forms, 1700-Present. The CFP is available here, and we even wrote a post on our favourite scholarly works on collage here.
Next, this post from the Newberry’s blog, The Rite Stuff, examining ‘Family History in a Bible’. I really enjoy the object biography approach taken to the object.
CFPs that caught my eye this week included:
CFP – Passing: Fashion in American Cities
CFP – Interior Provocations – Interiors without Architecture
CFP – Making Things Modular
CFP – Fire and Water: Entangled Histories of Empire and Science in the Early Modern Americas
CFP – Remarkable Things: The Agency of Objecthood and The Power of Materiality
CFP – Creative Pedagogies: Approaches to the Commonplace Book
CFP – C19: Acts of Consumption: Performance, Bodies, Culture
CFP – Crafting an Enlightened World: Patronage & Pioneers
Today marks the beginning of my last week of my Short-Term Research Fellowship at the Winterthur Museum, so once the craziness of the summer has passed, I’ll be back to regular Week in Review posts, so watch this space!
Usually following a conference, I write some kind of post-conference report, where I reflect on the conversations and ideas that the conference provoked and discussed. For the recent ISCH conference on ‘Senses, Emotions & the Affective Turn Recent Perspectives and New Challenges in Cultural History’, I want to do something a little different. Instead of the report format, I want to compile a bibliography of texts that I made note of speakers referencing. As I’m currently writing my monograph on the relationship between domestic material culture, sociabilities, and emotions between 1750-1850, this list has already been a hugely useful bibliography for my own research, but I had a sense as I was compiling it, that it might also be of use to a broader audience interested in state of the history of the emotions today.
This by no means represents a complete bibliography, as the conference had many parallel sessions, and I was only able to attend two days, but it will hopefully give a sense of some of the scholarship that presenters were using to construct their paper’s critical frameworks, and thereby a sense of how the history of the emotions is ‘being done’ at this present moment.
Panel ‘Emotions in Research’
- Emily Robinson, ‘Touching the void: Affective history and the impossible’, The Journal of Theory and Practice, 14:4 (2010), 503-520.
- Carolyn Steedman, Landscape for a Good Woman (Rutgers University Press, 1987)
- Joan W. Scott, ‘The Evidence of Experience’, Critical Inquiry, 17:4 (Summer, 1991), 773-797.
- Andy Wood, The memory of the people: custom and popular senses of the past in early modern England (Cambridge and New York: Cambridge University Press, 2013)
Erin Sullivan, ‘Art and the Emotional Historian’
Firstly, some relevant publications by Sullivan:
- Beyond Melancholy: Sadness and Selfhood in Renaissance England (Oxford University Press, 2016)
- (edited, with Richard Meek) The Renaissance of Emotion: Understanding Affect in Early Modern Literature and Culture (Manchester University Press, 2015)
- (with Susan Brock and Greg Wells) ‘The Melancholy Earl: Sir William Herbert in the Medical Cases Notes of Dr Barker of Shrewsbury’, Notes and Queries 63:4 (2016)
- ‘Melancholy’, in Early Modern Emotions: An Introduction, ed. Susan Broomhall (Routledge, 2017)
- ‘Shakespeare and Emotion: A Review Essay’, in Cahiers Élisabéthains 87 (2015)
- ‘The History of the Emotions: Past, Present, Future’, Cultural History 2:1 (2013)
- ‘”The Watchful Spirit”: Religious Anxieties toward Sleep in the Notebooks of Nehemiah Wallington’, Cultural History 1:1 (2012) – winner of the 2011 International Society for Cultural History Essay Prize
- ‘A Disease unto Death: Sadness in the Time of Shakespeare’, in Emotions and Health, 1200-1700, ed. by Elena Carrera, Brill (Brill, 2013)
- Peter Burke, ‘Is there a Cultural History of the Emotions?’ in Penelope Gouk and Helen Hills (eds.), Representing Emotions (Aldershot, 2005)
- William M. Reddy, The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, 900-1200 CE. (Chicago: Chicago University Press, 2012)
- Thomas Dixon, Weeping Britannia: Portrait of a Nation in Tears (Oxford University Press, 2015)
- Johan Huizinga, The Waning of the Middle Ages (1919)
- Reddy, William M. “Against Constructionism: The Historical Ethnography of Emotions.” Current Anthropology 38 (1997), 327-351.
- Rosenwein, Barbara H. “Worrying about Emotions in History.” The American Historical Review (2002).
- Peter N. Stearns and Carol Z. Stearns, ‘Emotionology: Clarifying the History of Emotions and Emotional Standards’, The American Historical Review, 90:4 (October, 1985), 813-836.
- Keith Oatley, Emotions: A Brief History (Wiley, 2004)
- Stephanie Trigg, Shame and Honor: A Vulgar History of the Order of the Garter (Philadelphia: University of Pennsylvania Press, 2012)
- Melissa Greg, The Affect Theory Reader (Duke University Press, 2010)
- Susan J. Matt, Peter N. Stearns, Doing Emotions History (University of Illinois Press, 2013)
Panel ‘Materialising Love and Loss: Objects and Identity in Eighteenth and Nineteenth Century Britain’
- Marcia Pointon, ‘”Surrounded with Brilliants”: Miniature Portraits in Eighteenth-Century England, The Art Bulletin, 83:1 (March, 2001), 48-71
- Annette Weiner, Inalienable Possessions: The Paradox of Keeping-While-Giving (1992)
- Anna Moran, Sorcha O’Brien, Love Objects: Emotion, Design and Material Culture (Bloomsbury, 2014)
- Diana O’hara, ‘The Language of Tokens and the Making of Marriage’, Rural History, 3:1 (1992), 1-40
- Diana O’hara, Courtship and constraint: Rethinking the making of marriage in Tudor England (Manchester: Manchester University Press, 2002)
- Neil McKendrick, John Brewer, John Harold Plumb, The birth of a consumer society: the commercialization of eighteenth-century England (Europa Publications, 1982)
- John Brewer and Roy Porter, eds. Consumption and the World of Goods (Routledge, 1993)
- Anne Gerritsen, Giorgio Riello, eds. The Global Lives of Things: The Material Culture of Connections in the Early Modern World (Routledge, 2015)
- Cynthia Wall, The Prose of Things: Transformations of Description in the Eighteenth Century (Chicago: Chicago University Press, 2006)
- Frank Trentmann, Empire of Things: How We Became a World of Consumers, Fifteenth Century to the Twenty-First, (London: Allen Lane/Penguin; New York: HarperCollins 2016)
- Michael Brown, ‘Cold Steel, Weak Flesh’: Mechanism, Masculinity and the Anxieties of Late Victorian Empire’, CULTURAL & SOCIAL HISTORY, 14: 2 (2017)
- Michael Brown, ‘Surgery and Emotion: The Era Before Anaesthesia’, The Palgrave Handbook of the History of Surgery. T. Schlich ed. (Palgrave Macmillan, 2017)
- Matthew McCormack, Embodying the Militia in Georgian England (Oxford University Press, 2015)
- Sarah Ahmed, The Cultural Politics of Emotion (Routledge, 2007)
- Philip Shaw, Suffering and Sentiment in Romantic Military Art (Ashgate, 2013)
- Holly Furneaux, and Prichard, S. ‘Contested objects: curating soldier art. Museum & Society 13:4 (2015), 447-461.
- Holly Furneaux, Military men of feeling: masculinity, emotion and tactility in the Crimean War (Oxford: Oxford University Press, 2015)
Barbara H. Rosenwein, ‘Affect Theory’s Convergences and Conundrums’
Relevant publications by Rosenwein:
- Anger’s Past: The Social Uses of an Emotion in the Middle Ages (Cornell University Press, 1998)
- Emotional Communities in the Early Middle Ages (Cornell University Press, 2006)
- Generations of Feeling: A History of Emotions 600-1700 (Cambridge University Press, 2016)
- “Problems and Methods in the History of Emotions,” Passions in Context: Journal of the History and Philosophy of the Emotions, 1:1 (2010)
- Lisa Feldman Barrett, How Emotions Are Made: The Secret Life of the Brain (Pan Macmillan, 2017)
- Magda Arnold, Emotion and personality (New York: Columbia University Press, 1960)
- Bruce R. Smith, The Key of Green: PASSION AND PERCEPTION IN RENAISSANCE CULTURE (Chicago: University of Chicago Press, 2008)
- Brian Massumi, Politics of Affect (John Wiley & Sons, 2015)
- Nicole Eustace, Passion Is the Gale: Emotion, Power, and the Coming of the American Revolution (UNC Press Books, 2012)
- Nicole Eustace, 1812: War and the Passions of Patriotism (University of Pennsylvania Press, 2012)
Panel: The affective turn in the history of the East-West encounter
- Elsbeth Locher-Scholten, Women and the Colonial State: Essays on Gender and Modernity in the Netherlands Indies, 1900-1942 (Amsterdam University Press, 2000)
- Kartini (Raden Adjeng), Kartini: The Complete Writings 1898-1904 (Monash University Publishing, 2014)
Panel: Motherhood, medicine and the emotions
- Laura Gowing, Common bodies : women, touch and power in seventeenth-century England (New Haven & London: Yale University Press, 2002)
- Laura Gowing, Gender Relations in Early Modern England (Pearson Longman, 2012)
- Adrian Wilson, ‘THE PERILS OF EARLY MODERN PROCREATION: CHILDBIRTH WITH OR WITHOUT FEAR?’ Journal for Eighteenth-Century Studies, 16 (1993), 1–19
On Friday I’m heading to the Slavery and the Scottish Country House event, a day workshop examining the connections between Scotland and slavery through the medium of the Scottish country house, hosted by the Scottish Centre for Diaspora Studies at the University of Edinburgh. The programme is available here, and I’ll be sure to post a follow up blog on some of the conversations that arose from the conference.
The University of Edinburgh and National Museums Scotland have recently teamed up on the forthcoming MOOC, Bonnie Prince Charlie and the Jacobites. The MOOC ties in with the Museum’s Jacobites exhibition (on now), and is led by a great team of scholars and curators, including my PhD supervisor, Professor Viccy Coltman. More details about the MOOC, including how to sign up, can be found here.