history of emotions
Usually following a conference, I write some kind of post-conference report, where I reflect on the conversations and ideas that the conference provoked and discussed. For the recent ISCH conference on ‘Senses, Emotions & the Affective Turn Recent Perspectives and New Challenges in Cultural History’, I want to do something a little different. Instead of the report format, I want to compile a bibliography of texts that I made note of speakers referencing. As I’m currently writing my monograph on the relationship between domestic material culture, sociabilities, and emotions between 1750-1850, this list has already been a hugely useful bibliography for my own research, but I had a sense as I was compiling it, that it might also be of use to a broader audience interested in state of the history of the emotions today.
This by no means represents a complete bibliography, as the conference had many parallel sessions, and I was only able to attend two days, but it will hopefully give a sense of some of the scholarship that presenters were using to construct their paper’s critical frameworks, and thereby a sense of how the history of the emotions is ‘being done’ at this present moment.
Panel ‘Emotions in Research’
- Emily Robinson, ‘Touching the void: Affective history and the impossible’, The Journal of Theory and Practice, 14:4 (2010), 503-520.
- Carolyn Steedman, Landscape for a Good Woman (Rutgers University Press, 1987)
- Joan W. Scott, ‘The Evidence of Experience’, Critical Inquiry, 17:4 (Summer, 1991), 773-797.
- Andy Wood, The memory of the people: custom and popular senses of the past in early modern England (Cambridge and New York: Cambridge University Press, 2013)
Erin Sullivan, ‘Art and the Emotional Historian’
Firstly, some relevant publications by Sullivan:
- Beyond Melancholy: Sadness and Selfhood in Renaissance England (Oxford University Press, 2016)
- (edited, with Richard Meek) The Renaissance of Emotion: Understanding Affect in Early Modern Literature and Culture (Manchester University Press, 2015)
- (with Susan Brock and Greg Wells) ‘The Melancholy Earl: Sir William Herbert in the Medical Cases Notes of Dr Barker of Shrewsbury’, Notes and Queries 63:4 (2016)
- ‘Melancholy’, in Early Modern Emotions: An Introduction, ed. Susan Broomhall (Routledge, 2017)
- ‘Shakespeare and Emotion: A Review Essay’, in Cahiers Élisabéthains 87 (2015)
- ‘The History of the Emotions: Past, Present, Future’, Cultural History 2:1 (2013)
- ‘”The Watchful Spirit”: Religious Anxieties toward Sleep in the Notebooks of Nehemiah Wallington’, Cultural History 1:1 (2012) – winner of the 2011 International Society for Cultural History Essay Prize
- ‘A Disease unto Death: Sadness in the Time of Shakespeare’, in Emotions and Health, 1200-1700, ed. by Elena Carrera, Brill (Brill, 2013)
- Peter Burke, ‘Is there a Cultural History of the Emotions?’ in Penelope Gouk and Helen Hills (eds.), Representing Emotions (Aldershot, 2005)
- William M. Reddy, The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, 900-1200 CE. (Chicago: Chicago University Press, 2012)
- Thomas Dixon, Weeping Britannia: Portrait of a Nation in Tears (Oxford University Press, 2015)
- Johan Huizinga, The Waning of the Middle Ages (1919)
- Reddy, William M. “Against Constructionism: The Historical Ethnography of Emotions.” Current Anthropology 38 (1997), 327-351.
- Rosenwein, Barbara H. “Worrying about Emotions in History.” The American Historical Review (2002).
- Peter N. Stearns and Carol Z. Stearns, ‘Emotionology: Clarifying the History of Emotions and Emotional Standards’, The American Historical Review, 90:4 (October, 1985), 813-836.
- Keith Oatley, Emotions: A Brief History (Wiley, 2004)
- Stephanie Trigg, Shame and Honor: A Vulgar History of the Order of the Garter (Philadelphia: University of Pennsylvania Press, 2012)
- Melissa Greg, The Affect Theory Reader (Duke University Press, 2010)
- Susan J. Matt, Peter N. Stearns, Doing Emotions History (University of Illinois Press, 2013)
Panel ‘Materialising Love and Loss: Objects and Identity in Eighteenth and Nineteenth Century Britain’
- Marcia Pointon, ‘”Surrounded with Brilliants”: Miniature Portraits in Eighteenth-Century England, The Art Bulletin, 83:1 (March, 2001), 48-71
- Annette Weiner, Inalienable Possessions: The Paradox of Keeping-While-Giving (1992)
- Anna Moran, Sorcha O’Brien, Love Objects: Emotion, Design and Material Culture (Bloomsbury, 2014)
- Diana O’hara, ‘The Language of Tokens and the Making of Marriage’, Rural History, 3:1 (1992), 1-40
- Diana O’hara, Courtship and constraint: Rethinking the making of marriage in Tudor England (Manchester: Manchester University Press, 2002)
- Neil McKendrick, John Brewer, John Harold Plumb, The birth of a consumer society: the commercialization of eighteenth-century England (Europa Publications, 1982)
- John Brewer and Roy Porter, eds. Consumption and the World of Goods (Routledge, 1993)
- Anne Gerritsen, Giorgio Riello, eds. The Global Lives of Things: The Material Culture of Connections in the Early Modern World (Routledge, 2015)
- Cynthia Wall, The Prose of Things: Transformations of Description in the Eighteenth Century (Chicago: Chicago University Press, 2006)
- Frank Trentmann, Empire of Things: How We Became a World of Consumers, Fifteenth Century to the Twenty-First, (London: Allen Lane/Penguin; New York: HarperCollins 2016)
- Michael Brown, ‘Cold Steel, Weak Flesh’: Mechanism, Masculinity and the Anxieties of Late Victorian Empire’, CULTURAL & SOCIAL HISTORY, 14: 2 (2017)
- Michael Brown, ‘Surgery and Emotion: The Era Before Anaesthesia’, The Palgrave Handbook of the History of Surgery. T. Schlich ed. (Palgrave Macmillan, 2017)
- Matthew McCormack, Embodying the Militia in Georgian England (Oxford University Press, 2015)
- Sarah Ahmed, The Cultural Politics of Emotion (Routledge, 2007)
- Philip Shaw, Suffering and Sentiment in Romantic Military Art (Ashgate, 2013)
- Holly Furneaux, and Prichard, S. ‘Contested objects: curating soldier art. Museum & Society 13:4 (2015), 447-461.
- Holly Furneaux, Military men of feeling: masculinity, emotion and tactility in the Crimean War (Oxford: Oxford University Press, 2015)
Barbara H. Rosenwein, ‘Affect Theory’s Convergences and Conundrums’
Relevant publications by Rosenwein:
- Anger’s Past: The Social Uses of an Emotion in the Middle Ages (Cornell University Press, 1998)
- Emotional Communities in the Early Middle Ages (Cornell University Press, 2006)
- Generations of Feeling: A History of Emotions 600-1700 (Cambridge University Press, 2016)
- “Problems and Methods in the History of Emotions,” Passions in Context: Journal of the History and Philosophy of the Emotions, 1:1 (2010)
- Lisa Feldman Barrett, How Emotions Are Made: The Secret Life of the Brain (Pan Macmillan, 2017)
- Magda Arnold, Emotion and personality (New York: Columbia University Press, 1960)
- Bruce R. Smith, The Key of Green: PASSION AND PERCEPTION IN RENAISSANCE CULTURE (Chicago: University of Chicago Press, 2008)
- Brian Massumi, Politics of Affect (John Wiley & Sons, 2015)
- Nicole Eustace, Passion Is the Gale: Emotion, Power, and the Coming of the American Revolution (UNC Press Books, 2012)
- Nicole Eustace, 1812: War and the Passions of Patriotism (University of Pennsylvania Press, 2012)
Panel: The affective turn in the history of the East-West encounter
- Elsbeth Locher-Scholten, Women and the Colonial State: Essays on Gender and Modernity in the Netherlands Indies, 1900-1942 (Amsterdam University Press, 2000)
- Kartini (Raden Adjeng), Kartini: The Complete Writings 1898-1904 (Monash University Publishing, 2014)
Panel: Motherhood, medicine and the emotions
- Laura Gowing, Common bodies : women, touch and power in seventeenth-century England (New Haven & London: Yale University Press, 2002)
- Laura Gowing, Gender Relations in Early Modern England (Pearson Longman, 2012)
- Adrian Wilson, ‘THE PERILS OF EARLY MODERN PROCREATION: CHILDBIRTH WITH OR WITHOUT FEAR?’ Journal for Eighteenth-Century Studies, 16 (1993), 1–19
Programme: ISCH 2017 Conference ‘Senses, Emotions & the Affective Turn Recent Perspectives and New Challenges in Cultural History’
For the next few days I’ll be in Umeå, Sweden for the 2017 Annual Conference of the International Society for Cultural History. This year’s theme is ‘Senses, Emotions & the Affective Turn Recent Perspectives and New Challenges in Cultural History’, and it promises to be a fascinating conference. I’m really excited to experience a range of approaches dealing with the emotions within cultural history, which I’ve no doubt will be hugely beneficial to the writing of my first book, on domestic material culture, sociabilities, and emotions. Tomorrow I’ll be speaking in Panel 8, ‘Materialising Love and Loss: Objects and Identity in Eighteenth and Nineteenth Century Britain’. The full programme is available here.
Robert Dighton, The Macaroni Painter, or Billy Dimple sitting for his Picture, 1772. British Museum, London.
First up, Dominic Janes’ post, ‘A Queer Taste for Macaroni‘, on the Public Domain Review. I recently had an article accepted for a special issue of Aphra Behn Online: Interactive Journal for Women in the Arts, 1640-1830 that explores the concept of “camp” with regards to eighteenth-century studies. My article will locate macaronism within a visual and ironic rhetoric of campness, and Janes’ new book Oscar Wilde Prefigured: Queer Fashioning and British Caricature, 1750-1900 is an essential resource for this work.
Secondly, I was hugely excited to read about the National Gallery of Victoria’s upcoming exhibition Love: Art of Emotion 1400–1800, which draws upon the NGV’s diverse permanent collection to explore the theme of love in art, and the changing representations of this complex emotion throughout the early modern period in Europe.
I also enjoyed reading this review of the Fitzwilliam Museum, Cambridge’s exhibition Madonnas and Miracles: The Holy Home in Renaissance Italy, which the role of domestic objects in sustaining and inspiring faith.
I was also intrigued to read: this post from Notches Blog on ‘Porno Chic and the Sex Wars: A Roundtable on the Politics of Sexual Representations in the 1970s‘; and this fascinating article on the spiritualist artist Hima af Klint.
I’ve got several multi-media picks this week: first, this episode of The Why Factor on using our hands; this episode of the Art Detective Podcast on Tipu’s Tiger – with Sona Datta; and finally, this video of Mary Beard’s lecture, Women in Power.
The following CFPs and conferences also caught my attention this week:
CFP: Fashion, Dress, and Post-Postmodernism (September 20, 2017)
CFP: Vistas. 19th Century Studies (Philadelphia, 15-17 Mar 18)
CONF: Rejection & Recovery in the History of Art & Architecture (Boston, 24-25 Mar 17)
CFP: Early Netherlandish Art in the Long 19th Century (Ghent, 24 – 26 May 18)
CFP: Art of Power: The 3rd Earl of Bute, Politics and Collecting in Enlightenment Britain (2nd Oct 2017 – 4th Oct 2017)
WORKSHOP: Approaching Inner Lives: Thinking, Feeling, Believing, 1300-1900 (Tuesday 28 March 2017)
First up, I’m hugely excited by the programme for this year’s Slade Lectures, which will be given by Caroline van Eck. Eck’s work on objects, experience, senses, rituals and neoclassicism are critical in my own work, but the Lectures are an unmissable series for anyone interested in the history of art. Fingers crossed the lectures will be podcasted, as they have been in previous years.
I read with interest Nathan Perl-Rosenthal’s series on ‘Plotting Revolution‘, for the Age of Revolutions blog. This three-part series considers the complex relationship between history and narrative, something which is also explored in the fascinating Storying the Past project, which will discuss the book The Extraordinary Work of Ordinary Writing (and therefore, issues surrounding women’s life-writing and biography) via twitter in February.
I also enjoyed Anne-Lieke Brem’s post Things that matter(-ed): A biography of anatomical votive reliefs for The Votives Project, which reflects on issues of biography and the changing value of ancient votive reliefs as ‘things’.
I was also made aware of the Association for Critical Race Art History‘s fantastic bibliographic resource this week. Their site provides a number of bibliographies, divided by region, for those seeking to investigate issues of race and ethnicity in art and visual culture. These extensive bibliographies are available here.
As ever, the latest issue of the Journal of Art Historiography provides a fascinating selection of articles, translations and discussions. In the December 2016 issue, I was particularly intrigued by the discussions of ‘Baroque for a wide public’, which seek to add nuance to dominant histories of this global movement.
The following CFPs, CFAs and conferences also caught my attention this week:
CFP: Carnal Canucks, Histories of Sexuality in Canada
CFP: ANTIPODEAN ANTIQUITIES: CLASSICAL RECEPTION ‘DOWN UNDER’
CFP – Nostalgia & Consumer Culture in the 20th Century; SSHA 2017
CFC: The Spaces and Places of Horror
CONF: Coding and Representation
CONF: Trauma & Melodrama: Emotions in the Public Sphere / Conference in Cinema and Media Studies at the University of Chicago
CFP: From Abolition to Black Lives Matter: Past and Present Forms of Transnational Black Resistance
CFP: Photography and the Histories of Working Peoples and Laboring Lives
Finally, I’m excited to see the Glad to be Gay exhibition, which draws on the unique Hall-Carpenter Archives and the Women’s Library collection to mark the 50th anniversary of a pivotal piece of legislation, the 1967 Sexual Offences Act. Glad to be Gay will be at LSE, London, until April.
Image via The Conversation
Perhaps the most significant event this week, was the passing of the great art critic John Berger, whose hugely influential book and tv series ‘Ways of Seeing’, has been a touchstone of art historical and critical enquiry since its publication in the 1970s. Many excellent articles and obituaries of Berger were published this week, including this, this, and this.
I was excited to see that Joanne Begiato’s article ‘Tears and the Manly Sailor in England, c. 1760–1860‘, in the Journal for Maritime Research is free access. Download it here.
I greatly enjoyed the post, ‘Feel free to call me Dr.’ on the Tenure, She Wrote blog. It’s excellent on the politics of nomenclature in academia, and the importance of these issues for academics who are from minority backgrounds. I also enjoyed Dr Kieran Fenby-Hulse’s post, ‘From 2016 to 2017: Thoughts on Research Practice, Embedding Creativity, Punk Academia, and Work-Life Balance‘, which is also great on issues of identity within the academy.
There were a number of events that drew my attention this week, including the Centre for the History of the Emotions‘ 2017 Seminar Programme , the upcoming event ‘Living With Feeling in the Nineteenth-Century‘ at Royal Holloway’s Centre for Victorian Studies, and the Cruising the 1970s project’s event ‘Between the Sheets: Radical print cultures before the queer bookshop‘.
The following CFPs also caught my eye:
Call for Submissions: Anthology on Arab Masculinity
CFP: Moving Beyond Paris and London: Influences, Circulation, and Rivalries in Fashion and Textiles between France and England, 1700-1914 (Paris, October 13-14, 2017)
CFP: Remembering the Dead: Slavery and Mortality through Visual Culture in Comparative Perspective, AHA 2018 Panel (Washington D.C., 4-7 January 2018)
Call for Submissions: Museums Journal (theme: ‘Small’)
Call for Participation: Material Culture Caucus at 2017 ASA Conference
CFP: “Hope and Fear”: Interdisciplinary Conference in the Humanities
CFP: Milestones, Markers, and Moments: Turning Points in American Experience and Tradition
CFP: International Postgraduate Port and Maritime Studies Conference (20-21 April 2017, University of Bristol)
CFP: Classical Antiquity & Memory (19th – 21st Century)
I also really enjoyed the following interview with the design historian Glenn Adamson, titled, ‘The Object as Reality-Check’. It’s a fascinating read that ties discussions of material objects, past and present, with their political contexts. Specifically, Adamson discusses this in relation to his recent course ‘Objects of Dispute‘, a 10 session-long intensive seminar offered as part of the MA in History of Design and Curatorial Studies, run jointly by The New School’s Parsons School of Design and the Cooper Hewitt Museum in New York, and in so doing, teases out the pedagogical issues of teaching about contentious material culture in the current political climate.
Tonight, I listened to my colleague Christian Weikop’s fascinating Radio 3 programme, Kandinsky – A Story of Revolution. It’s available on iPlayer now.
Finally, I note that Yale Center for British Art is advertising its Curatorial Research Fellowship opportunity – there’s just a few more days left, so submit your applications while you can!
Happy New Year to all my readers. 2017 promises to be an exciting year, but I’ll talk more about that in Wednesday’s post. For now, here’s a roundup of everything that caught my attention in the final week of 2016.
First up, these Summer 2017 internships with the Boston Furniture Archive, which sound like a fantastic opportunity to do some hands-on collection based work.
Next, the Centre for the History of the Emotions’ 2016 Annual Lecture by Professor Stephen Brooke (University of York, CA). Titled ‘Hate and Fear: Emotion, Politics and Race in 1980s London’, the lecture is now on the centre’s youtube channel.
The Bard Graduate Center’ forthcoming Summer Institute American Material Culture: Nineteenth-Century New York (July 3–28, 2017), also caught my eye. Sponsored by the National Endowment for the Humanities, the Institute promises a in-depth look at the history of New York and its associated material culture.
Prompted by Karen Kelsky’s excellent recent Vitae blog ‘The Job Market in a New Administration’, I also read Ellen Willis’s essay ‘Identity Crisis‘ for the first time this month. As issues of identity are at the forefront of this changing political landscape, prolonged considerations of the meaning and manifestations of identity have never been more important. Willis’s essay, though written in 1992, is incredibly relevant for the current academic and political climate.
The following conferences, CFAs and CFPs also sound particularly interesting (with many touching on issues of identity that are so relevant to Willis’s essay):
- CFP/Manuscripts: Special Issue of Journal of Homosexuality, “LGBTQ Popular Culture: The Changing Landscape”
- CFP: #QueerAF: (Re)presenting Gender & Sexuality in History & Cultural Studies
- CFP: 2017 Midwest Art History Society Session: “Is there an African Atlantic?“
- CONF: Politics in fashion and textiles (Vienna, 19-21 Jan 17)
- CFP: Conflict, Healing and the Arts (Durham, 27 May 17)
- CFP: The Coarseness of the Brontës: A Reappraisal (Durham, 10-11 Aug 17)
- CFP: Material and Sensory Cultures of Religion
- CFP: Material Culture Research Symposium (Glasgow, 12 June 17)
- CFP: American Identities on Land and at Sea (New York, 21 Apr 17)
My final pick is the CFP for the multidisciplinary collection Colonial Caribbean Visual Cultures, which examines ‘the creation and circulation of colonial visual cultures from the Caribbean during the eighteenth and nineteenth centuries’. The CFP reminded me of another recent publication, The Colour of Shadows: Images of Caribbean Slavery by Judy Raymond. I’m excited to read each of them.
I was thrilled to find out that I’ll be presenting my paper ‘A literary inheritance: Romantic family histories and textual afterlives in the commonplace books of Ellen Warter’ at next year’s Sibylline Leaves: Chaos and Compilation in the Romantic Period conference. This exciting conference brings together a number of fascinating approaches to Romantic cultural and material practices, and focuses on ‘the composition, publication and reception of romantic poetry in relation to a diverse range of collections and composite texts: miscellanies, anthologies and beauties, multi-volume or serialised fiction, magazines and newspapers, annuals and albums, common-place books and notebooks, catalogues and guidebooks, encyclopaedias and dictionaries.’ My abstract for the conference is included below.
A literary inheritance: Romantic family histories and textual afterlives in the commonplace books of Ellen Warter, Freya Gowrley (University of Edinburgh)
This paper will focus on two commonplace books made c.1885 by Ellen Warter, the granddaughter of the Romantic poet Robert Southey, now held at the Centre for Research Collections at the University of Edinburgh. Though at first glance the volumes denote Warter’s participation in the rather usual Victorian practice of album production, sustained attention to the books and their compiled contents suggests their deeper significance for studies of nineteenth-century literary culture. More than the sum of their parts, Warter’s commonplace books are not only a collection of individual details and textual clippings, but also evoke the broader contexts of authorship, celebrity, and collaboration.
Warter’s commonplace books are quite unlike ‘conventional’ examples of the genre, which traditionally compile excerpted texts from a broad array of writers on a variety of topics. Instead, Warter devoted over 300 pages of her volumes to the lives and literature of the Brontë family, who were the objects of her sustained estimation, affection, and documentation. This specific emphasis upon the Brontës relates Warter’s albums to a specific type of album-making: namely, the production of volumes dedicated to literary celebrities, a practice enacted throughout the nineteenth century. Beyond this fascination with the Brontës however, the practice of commonplacing was firmly intertwined with Warter’s own family history. As the granddaughter of Robert Southey, she was part of a family whose own commonplacing and album-making spanned several generations. Warter’s grandfather, aunts, mother, and father all made, or contributed to the production of, composite volumes, a literary inheritance that places Warter’s own productions within a longer history and set of material practices. Crucially, such practices were also enacted within the broader Romantic circle, with Southey contributing to the volumes of his friends’ daughters, and Samuel Taylor Coleridge, Caroline Bowles, Charles Lamb, and Edward Quillinan reciprocally adding poems to the albums of Edith Southey, Warter’s mother. For Warter then, commonplacing was not only an educative practice, but an inherently social one, with her compilation of ‘Brontëana’ consistent with the collective practices of her own extended literary family.
Employing the framework of the object biography, the paper will consider Warter’s commonplace books in terms of literary assemblage, tracing the volumes’ constitutive elements as they passed from one literary form into the next. At the same time, the paper will demonstrate how the books were inherently biographical objects, redolent with potent familial association, both of Warter’s own family, and that of the Brontës. The paper will accordingly situate Warter’s commonplace books in relation to both contemporary examples of ‘Brontëana’ and the broader album production of the Southey family and social circle. In so doing, it will highlight the importance of composite works to collective Romantic literary production, as well as their enduring legacy in the late-nineteenth century, thereby troubling traditional divisions between the Romantic and Victorian literary traditions, and demonstrating the disruptive nature of periodization.