On Friday I’m heading to the Slavery and the Scottish Country House event, a day workshop examining the connections between Scotland and slavery through the medium of the Scottish country house, hosted by the Scottish Centre for Diaspora Studies at the University of Edinburgh. The programme is available here, and I’ll be sure to post a follow up blog on some of the conversations that arose from the conference.
Victorian hand calling card, private collection.
A slightly belated Week in Review post.
As I’ve noted before, Notches and the Age of Revolutions blogs are amongst my favourite academic blogs, and both present really interesting work in their respective fields. Of late, I particularly enjoyed Notches’ ‘Femme Histories Roundtable‘ series (parts I and II), as well as this amazing post on ‘Disembodied Desire‘, focusing on disembodied Victorian limbs, as seen in the above calling card.
In case you missed me excitedly sharing this on Twitter and Facebook, here’s a Hyperallergic article on Sotheby’s first-ever auction of erotic artworks. I was particularly enamoured with this incredible painted plywood table, a copy after those supposedly held in a secret erotic salon of Catherine the Great. For this and many other fascinating objects check out the auction catalogue.
I hugely enjoyed this article on the history of the colour red from The Paris Review, and was fascinated by this touching article on the epistolary correspondence of two men during the Second World War.
I was keen to watch this webinar on ‘Exploring the Africana Historic Postcard Collection‘, which discusses the African Section of the Library of Congress’ African and Middle Eastern Division’s collection of more than 2000 historical photographic postcards. The collection is an important visual record of Africa and its people during the historically intensive years of European colonialism from 1895 to 1960.
I also really enjoyed Pat Thomson’s thought-provoking post on developing institutional writing cultures. Thomson writes compellingly about the need for rebuilding such collective practices, which is something that strongly rings true for me as a participant in an academic writing group. Thomson’s post was written a few days before my fellow writing-group attendee Lucie Whitmore wrote a post on our writing group for the SGSAH Blog, and they had a lovely synchronicity in my mind. I’m also going to write an update post on my own progress with the writing group at some point soon, so watch this space.
Publications wise, the table of contents for the first issue of the Journal for Art Market Studies (Vol 1, No 1 (2017)), also caught my attention this week, as did this call for book proposals on Gender and Culture in the Romantic Era. I was also really excited to see that Joanna Cohen’s book Luxurious Citizens: The Politics of Consumption in Nineteenth-Century America has now been published by the University of Pennsylvania Press. I’m sure this book will become an essential text for me as I expand my research to look at nineteenth-century American material culture.
CFP: Consuming Gender, Assuming Gender one-day symposium (14 July 2017, Cardiff University)
CFP: Decor and Architecture (Lausanne, 16-17 Nov 17)
CFP: French and English Rivalries in Dress and Textiles 1700-1914 (Paris, October 13-14, 2017)
CFP: “Emotions, Death and Dying” -PJHS (Winter 2017)
CFP: Queering the Transpacific: Asian American, American and Asian Queer Studies (March 31, 2017)
Finally, I noted with interest that there a number of vacancies on the Design History Society’s Board of Trustees, applications are due by mid-March.
First up this week, is the Victoria & Albert Museum’s exhibition Lockwood Kipling: Arts and Crafts in the Punjab and London, a fascinating exploration of the life, work and lasting impact of John Lockwood Kipling (1837 – 1911), an artist, writer, museum director, teacher, conservationist and influential figure in the Arts and Crafts movement. The exhibition includes a wide array of objects, including book plates, jewellery, furniture, photographs, and other forms of decorative art. The exhibition is complemented by the conference The Many Careers of John Lockwood Kipling (25 Feb), and runs until 2 April.
Secondly, I enjoyed Pat Thomson’s post, ‘What does a book proposal reviewer do?‘. Having recently acted as a reader for a press, while concurrently having my own book proposal under review at another, the ideas in this post are something I’ve been thinking about a lot.
I was interested to note two complementary conferences on issues of photography and materiality, the first Photo Archives VI: The Place of Photography (Oxford, 20-21 Apr 17), and the second, Photo-Objects. On the Materiality of Photographs and Photo-Archives in the Humanities and Sciences (Florence, 15-17 Feb 16). As I continue my new research on photocollage, I’m becoming increasingly concerned with the idea of photograph-as-object, something that these conferences also look to explore.
As a keen advocate of academic blogging, I read Jeanne de Montbaston’s post Why do academic blogging? with interest. I find it particularly interesting that so much of de Montbaston’s teaching and research output starts life in the blog post form. I’m keen to experiment with blogging from the early stages of my research process for my new project on collage.
I’m eager to hear more about the newly-launched Eighteenth-century Arts Education Research Network (EAERN), which recently received funding from the Royal Society of Edinburgh. The network ‘brings together an international community of researchers in music, art, literature, history, and dance to share approaches to investigate eighteenth-century arts educational materials‘.
The following conferences, seminars, and CFPs also caught my eye:
CFP: At Close Quarters: Experiencing the Domestic, c.1400-1600
CFP: Beyond Between Men: Homosociality Across Time
CFP: Imagined Forms: Models and Material Culture, UD-CMCS/Hagley; November 2017
Programme: Edinburgh’s Nineteenth-Century Research Seminars
CFP: Mapping Black Mobilities and Identities in the Long 19th Century
CFP: Harts & Minds, Vol.3, Issue 2 (2017) ‘Embodied Masculinities’
CFP: Arthur Symons at the Fin de Siècle (21 July 2017)
CFP: Beyond the Home: New Histories of Domestic Servants (Oxford, 8 September 2017)
CFP: Printmaking in America, 1800-1865 (Gloucester, 28 Oct 17)
CFP: Full Circle: The Medal in Art History (New York, 8-9 Sep 17)
I’m excited to be chairing a panel on ‘The Power of Objects’ at the upcoming War Through Other Stuff conference, which brings together interdisciplinary perspectives on war as told through non-military narratives, artistic interpretations, and the material culture of conflict. The programme and further information about the conference is available here.
Happy New Year to all my readers. 2017 promises to be an exciting year, but I’ll talk more about that in Wednesday’s post. For now, here’s a roundup of everything that caught my attention in the final week of 2016.
First up, these Summer 2017 internships with the Boston Furniture Archive, which sound like a fantastic opportunity to do some hands-on collection based work.
Next, the Centre for the History of the Emotions’ 2016 Annual Lecture by Professor Stephen Brooke (University of York, CA). Titled ‘Hate and Fear: Emotion, Politics and Race in 1980s London’, the lecture is now on the centre’s youtube channel.
The Bard Graduate Center’ forthcoming Summer Institute American Material Culture: Nineteenth-Century New York (July 3–28, 2017), also caught my eye. Sponsored by the National Endowment for the Humanities, the Institute promises a in-depth look at the history of New York and its associated material culture.
Prompted by Karen Kelsky’s excellent recent Vitae blog ‘The Job Market in a New Administration’, I also read Ellen Willis’s essay ‘Identity Crisis‘ for the first time this month. As issues of identity are at the forefront of this changing political landscape, prolonged considerations of the meaning and manifestations of identity have never been more important. Willis’s essay, though written in 1992, is incredibly relevant for the current academic and political climate.
The following conferences, CFAs and CFPs also sound particularly interesting (with many touching on issues of identity that are so relevant to Willis’s essay):
- CFP/Manuscripts: Special Issue of Journal of Homosexuality, “LGBTQ Popular Culture: The Changing Landscape”
- CFP: #QueerAF: (Re)presenting Gender & Sexuality in History & Cultural Studies
- CFP: 2017 Midwest Art History Society Session: “Is there an African Atlantic?“
- CONF: Politics in fashion and textiles (Vienna, 19-21 Jan 17)
- CFP: Conflict, Healing and the Arts (Durham, 27 May 17)
- CFP: The Coarseness of the Brontës: A Reappraisal (Durham, 10-11 Aug 17)
- CFP: Material and Sensory Cultures of Religion
- CFP: Material Culture Research Symposium (Glasgow, 12 June 17)
- CFP: American Identities on Land and at Sea (New York, 21 Apr 17)
My final pick is the CFP for the multidisciplinary collection Colonial Caribbean Visual Cultures, which examines ‘the creation and circulation of colonial visual cultures from the Caribbean during the eighteenth and nineteenth centuries’. The CFP reminded me of another recent publication, The Colour of Shadows: Images of Caribbean Slavery by Judy Raymond. I’m excited to read each of them.
I thought I’d share the information about the National Museum of Scotland’s forthcoming lecture on Margaret Tytler’s fascinating yet little known collection of ebony models. For details, see the flyer below.