Hatfield Family Bible, Case folio BS185 1838.N4, Newberry Library
A round up of CFPs, conferences, and posts from the last week (…or so).
First up: a bit of self promo. There’s still a little while left before the deadline for our call for articles for the special issue of Nineteenth-Century Gender Studies, Making Masculinity: Craft, Gender, and Material Production in the Long Nineteenth Century. We’d love to see articles from you! The full CFA is available here.
Similarly, Cole Collins and I are really excited to read your collage-related abstracts for our upcoming conference Collage, Montage, Assemblage: Collected and Composite Forms, 1700-Present. The CFP is available here, and we even wrote a post on our favourite scholarly works on collage here.
Next, this post from the Newberry’s blog, The Rite Stuff, examining ‘Family History in a Bible’. I really enjoy the object biography approach taken to the object.
CFPs that caught my eye this week included:
CFP – Passing: Fashion in American Cities
CFP – Interior Provocations – Interiors without Architecture
CFP – Making Things Modular
CFP – Fire and Water: Entangled Histories of Empire and Science in the Early Modern Americas
CFP – Remarkable Things: The Agency of Objecthood and The Power of Materiality
CFP – Creative Pedagogies: Approaches to the Commonplace Book
CFP – C19: Acts of Consumption: Performance, Bodies, Culture
CFP – Crafting an Enlightened World: Patronage & Pioneers
Today marks the beginning of my last week of my Short-Term Research Fellowship at the Winterthur Museum, so once the craziness of the summer has passed, I’ll be back to regular Week in Review posts, so watch this space!
My object of the week is this INCREDIBLE Album of Seaweed Pictures from 1848, now held at the Brooklyn Museum. The album was made as a gift for Augustus Graham, a member of the first board of directors of the Brooklyn Apprentice’s Library, later to become the Brooklyn Institute of Arts and Sciences and the Brooklyn Museum.
I was really sorry to miss the Beyond Between Men symposium, so I hugely enjoyed reading Rachel E. Moss’s round-up blog post about the event. You can read it here.
The BAVS Talks 2017 videos are now all up online. You can take a look here.
CFP: CAA 2018 – Imperial Islands: Vision and Experience in the American Empire after 1898
Although the CFP deadline for the Home Comforts: The physical and emotional meanings of home in Europe, 1650-1900 conference has now passed, I still wanted to bring attention to this fascinating-sounding conference, which intersects interestingly with my current book project.
The edited volume Feminism and Art History Now: Radical Critiques of Theory and Practice, is out now from I B Tauris, and will be an essential resource for anyone using feminist theory in their art historical writing.
Issue 6 (Summer 2017) of British Art Studies is now live. The special issue focuses on Invention and Imagination in British Art and Architecture, 600–1500, and examines lots of fascinating objects at length and in depth.
Other conferences, CFPs, etc that caught my eye this week included:
- CONF: Re/presenting the Body (Glasgow, 6-7 Jul 17)
- CFP: Jewellery Matters (Amsterdam, 16-17 Nov 17)
- CONF: Film|Bild|Emotion (Regensburg, 20-21 Jul 18)
- CFP: Collecting Medieval Sculpture (Paris, 23-24 Nov 17)
- CONF: Nineteenth-Century Art in Islamic Countries (Vienna, 6-9
- CFP: Temporary and Mobile Domesticities, 1600 to the present – 10.10.2017, London
- CFC: Special Issue of The History of the Family
- CFP: Issue: Material and Visual Cultures of Religion in the American South
Usually following a conference, I write some kind of post-conference report, where I reflect on the conversations and ideas that the conference provoked and discussed. For the recent ISCH conference on ‘Senses, Emotions & the Affective Turn Recent Perspectives and New Challenges in Cultural History’, I want to do something a little different. Instead of the report format, I want to compile a bibliography of texts that I made note of speakers referencing. As I’m currently writing my monograph on the relationship between domestic material culture, sociabilities, and emotions between 1750-1850, this list has already been a hugely useful bibliography for my own research, but I had a sense as I was compiling it, that it might also be of use to a broader audience interested in state of the history of the emotions today.
This by no means represents a complete bibliography, as the conference had many parallel sessions, and I was only able to attend two days, but it will hopefully give a sense of some of the scholarship that presenters were using to construct their paper’s critical frameworks, and thereby a sense of how the history of the emotions is ‘being done’ at this present moment.
Panel ‘Emotions in Research’
- Emily Robinson, ‘Touching the void: Affective history and the impossible’, The Journal of Theory and Practice, 14:4 (2010), 503-520.
- Carolyn Steedman, Landscape for a Good Woman (Rutgers University Press, 1987)
- Joan W. Scott, ‘The Evidence of Experience’, Critical Inquiry, 17:4 (Summer, 1991), 773-797.
- Andy Wood, The memory of the people: custom and popular senses of the past in early modern England (Cambridge and New York: Cambridge University Press, 2013)
Erin Sullivan, ‘Art and the Emotional Historian’
Firstly, some relevant publications by Sullivan:
- Beyond Melancholy: Sadness and Selfhood in Renaissance England (Oxford University Press, 2016)
- (edited, with Richard Meek) The Renaissance of Emotion: Understanding Affect in Early Modern Literature and Culture (Manchester University Press, 2015)
- (with Susan Brock and Greg Wells) ‘The Melancholy Earl: Sir William Herbert in the Medical Cases Notes of Dr Barker of Shrewsbury’, Notes and Queries 63:4 (2016)
- ‘Melancholy’, in Early Modern Emotions: An Introduction, ed. Susan Broomhall (Routledge, 2017)
- ‘Shakespeare and Emotion: A Review Essay’, in Cahiers Élisabéthains 87 (2015)
- ‘The History of the Emotions: Past, Present, Future’, Cultural History 2:1 (2013)
- ‘”The Watchful Spirit”: Religious Anxieties toward Sleep in the Notebooks of Nehemiah Wallington’, Cultural History 1:1 (2012) – winner of the 2011 International Society for Cultural History Essay Prize
- ‘A Disease unto Death: Sadness in the Time of Shakespeare’, in Emotions and Health, 1200-1700, ed. by Elena Carrera, Brill (Brill, 2013)
- Peter Burke, ‘Is there a Cultural History of the Emotions?’ in Penelope Gouk and Helen Hills (eds.), Representing Emotions (Aldershot, 2005)
- William M. Reddy, The Making of Romantic Love: Longing and Sexuality in Europe, South Asia, and Japan, 900-1200 CE. (Chicago: Chicago University Press, 2012)
- Thomas Dixon, Weeping Britannia: Portrait of a Nation in Tears (Oxford University Press, 2015)
- Johan Huizinga, The Waning of the Middle Ages (1919)
- Reddy, William M. “Against Constructionism: The Historical Ethnography of Emotions.” Current Anthropology 38 (1997), 327-351.
- Rosenwein, Barbara H. “Worrying about Emotions in History.” The American Historical Review (2002).
- Peter N. Stearns and Carol Z. Stearns, ‘Emotionology: Clarifying the History of Emotions and Emotional Standards’, The American Historical Review, 90:4 (October, 1985), 813-836.
- Keith Oatley, Emotions: A Brief History (Wiley, 2004)
- Stephanie Trigg, Shame and Honor: A Vulgar History of the Order of the Garter (Philadelphia: University of Pennsylvania Press, 2012)
- Melissa Greg, The Affect Theory Reader (Duke University Press, 2010)
- Susan J. Matt, Peter N. Stearns, Doing Emotions History (University of Illinois Press, 2013)
Panel ‘Materialising Love and Loss: Objects and Identity in Eighteenth and Nineteenth Century Britain’
- Marcia Pointon, ‘”Surrounded with Brilliants”: Miniature Portraits in Eighteenth-Century England, The Art Bulletin, 83:1 (March, 2001), 48-71
- Annette Weiner, Inalienable Possessions: The Paradox of Keeping-While-Giving (1992)
- Anna Moran, Sorcha O’Brien, Love Objects: Emotion, Design and Material Culture (Bloomsbury, 2014)
- Diana O’hara, ‘The Language of Tokens and the Making of Marriage’, Rural History, 3:1 (1992), 1-40
- Diana O’hara, Courtship and constraint: Rethinking the making of marriage in Tudor England (Manchester: Manchester University Press, 2002)
- Neil McKendrick, John Brewer, John Harold Plumb, The birth of a consumer society: the commercialization of eighteenth-century England (Europa Publications, 1982)
- John Brewer and Roy Porter, eds. Consumption and the World of Goods (Routledge, 1993)
- Anne Gerritsen, Giorgio Riello, eds. The Global Lives of Things: The Material Culture of Connections in the Early Modern World (Routledge, 2015)
- Cynthia Wall, The Prose of Things: Transformations of Description in the Eighteenth Century (Chicago: Chicago University Press, 2006)
- Frank Trentmann, Empire of Things: How We Became a World of Consumers, Fifteenth Century to the Twenty-First, (London: Allen Lane/Penguin; New York: HarperCollins 2016)
- Michael Brown, ‘Cold Steel, Weak Flesh’: Mechanism, Masculinity and the Anxieties of Late Victorian Empire’, CULTURAL & SOCIAL HISTORY, 14: 2 (2017)
- Michael Brown, ‘Surgery and Emotion: The Era Before Anaesthesia’, The Palgrave Handbook of the History of Surgery. T. Schlich ed. (Palgrave Macmillan, 2017)
- Matthew McCormack, Embodying the Militia in Georgian England (Oxford University Press, 2015)
- Sarah Ahmed, The Cultural Politics of Emotion (Routledge, 2007)
- Philip Shaw, Suffering and Sentiment in Romantic Military Art (Ashgate, 2013)
- Holly Furneaux, and Prichard, S. ‘Contested objects: curating soldier art. Museum & Society 13:4 (2015), 447-461.
- Holly Furneaux, Military men of feeling: masculinity, emotion and tactility in the Crimean War (Oxford: Oxford University Press, 2015)
Barbara H. Rosenwein, ‘Affect Theory’s Convergences and Conundrums’
Relevant publications by Rosenwein:
- Anger’s Past: The Social Uses of an Emotion in the Middle Ages (Cornell University Press, 1998)
- Emotional Communities in the Early Middle Ages (Cornell University Press, 2006)
- Generations of Feeling: A History of Emotions 600-1700 (Cambridge University Press, 2016)
- “Problems and Methods in the History of Emotions,” Passions in Context: Journal of the History and Philosophy of the Emotions, 1:1 (2010)
- Lisa Feldman Barrett, How Emotions Are Made: The Secret Life of the Brain (Pan Macmillan, 2017)
- Magda Arnold, Emotion and personality (New York: Columbia University Press, 1960)
- Bruce R. Smith, The Key of Green: PASSION AND PERCEPTION IN RENAISSANCE CULTURE (Chicago: University of Chicago Press, 2008)
- Brian Massumi, Politics of Affect (John Wiley & Sons, 2015)
- Nicole Eustace, Passion Is the Gale: Emotion, Power, and the Coming of the American Revolution (UNC Press Books, 2012)
- Nicole Eustace, 1812: War and the Passions of Patriotism (University of Pennsylvania Press, 2012)
Panel: The affective turn in the history of the East-West encounter
- Elsbeth Locher-Scholten, Women and the Colonial State: Essays on Gender and Modernity in the Netherlands Indies, 1900-1942 (Amsterdam University Press, 2000)
- Kartini (Raden Adjeng), Kartini: The Complete Writings 1898-1904 (Monash University Publishing, 2014)
Panel: Motherhood, medicine and the emotions
- Laura Gowing, Common bodies : women, touch and power in seventeenth-century England (New Haven & London: Yale University Press, 2002)
- Laura Gowing, Gender Relations in Early Modern England (Pearson Longman, 2012)
- Adrian Wilson, ‘THE PERILS OF EARLY MODERN PROCREATION: CHILDBIRTH WITH OR WITHOUT FEAR?’ Journal for Eighteenth-Century Studies, 16 (1993), 1–19
Inspired by a number of reflective end-of-year blog posts (including this and this) I thought I’d map out my aims and activities for 2017. If you’d like to gain a sense of what I achieved in 2016, you can check out my series on being a year post-phd here, here, and here.
Yale Center for British Art
As always seems to be the case, 2017 is shaping up to be a very busy year.
In January, I’m primarily working on editing my PhD thesis for publication: firstly, I’m editing the sample chapters of my book that will be submitted for review, and secondly, I’m revising an article on needlework and visual culture, which is currently at revise and resubmit stage with a peer-reviewed journal. As a broader research aim, I also want to develop a sustainable daily writing habit during this month.
January is also the month in which I return to teaching, and this term I’m teaching four courses, one of which is completely new to me. I’m excited (and slightly apprehensive) about the challenges of a heavier teaching load, and interested to find ways of balancing my time between teaching and research commitments. Indeed, while teaching and marking dominate the months of January, February and March, I’m also planning on revising another article, this time on the interior decoration of A la Ronde, during this time. In February, I’m working on hosting a public event on Queer Material Heritage to tie in with this year’s LGBT History Month theme.
In April, I’ll be finishing off some marking, but more excitingly I’m off to Yale University’s Lewis Walpole Library for a two week-research trip. I’ll be researching an exciting mixture of things for both my monograph project, as well as my postdoctoral project on collage in the eighteenth and nineteenth centuries. Directly following on from this, I’m spending the month of May as a Visiting Scholar at Yale Center for British Art, during which time I’ll also conduct research for the collage project, this time on composite albums, botanical paper collages, and a number of mourning objects.
In June I’ll be travelling to Umeå, Sweden for the International Society for Cultural History 2017 Conference, which this year is on ‘Senses, Emotions and the Affective Turn: Recent Perspectives and New Challenges in Cultural History’. My presentation, ‘Lost Objects & Loss Objects: Intersections of Absence and Presence in Eighteenth-Century Material Culture’, will hopefully provide the perfect opportunity to tease out some of the key issues for the Introduction of my book.
In July, I’m off to another conference, this time in London. At Sibylline Leaves: Chaos and Compilation in the Romantic Period, I’ll be presenting my recent work on Romantic commonplace books, which has functioned as a sort of pilot study for my collage project.
Finally, in August, I’m spending a month as a research fellow at the Winterthur Museum, Garden, and Library. Other than providing a gorgeous setting for research, I’ll be using the Wintherthur’s library and museum collections to conduct research on a form of paper collage known as ‘scrapbook houses’. I’ll definitely be posting about all my research trips so stay tuned!
I’ll also be running Edinburgh’s Eighteenth-Century Research Seminars again this year (with the first session on Jan 25th) and Katie Faulkner and I are hoping to develop a project from #WaysofSheing, which will look at the contribution of female art historians across history – watch this space.
From September onwards, things are a little more hazy, although I’m a hundred per cent sure that I’ll be working on publications as much as possible, having kept various articles and the book ticking over during the first 8 months of the year. So 2017, let’s do this.
It’s been a few weeks since my last Week in Review, so this week is a bit of a bumper post of exhibitions, conferences, talks, articles, and CFPs – enjoy!
Charlotte Brontë, Lycidas, Watercolour drawing, March 4, 1835. Copied from a print after painting by Henry Fuseli. Brontë Parsonage Museum.
First up, I want to highlight The Morgan Library & Museum’s exhibition Charlotte Brontë: An Independent Will, which includes many examples of her juvenalia, as explored in this beautifully-written and illustrated article in The Paris Review.
Secondly, the Bard Graduate Center’s exhibition Charles Percier: Architecture and Design in an Age of Revolutions, which runs until February 5, 2017 and is the first large-scale exhibition to survey the French architect and interior designer. The Center recently hosted an accompanying symposium on Percier: Antiquity and Empire, which can be viewed on the centre’s youtube channel (which also features this rather good recent talk on Eames, by the hugely important design historian Pat Kirkham).
Thirdly, the forthcoming exhibition of Maria Sibylla Merian’s work, Maria Merian’s Butterflies, which will be at The Queen’s Gallery, Palace of Holyroodhouse from 17 March 2017. There will be an accompanying conference (Changing the Nature of Art and Science: Intersections with Maria Sibylla Merian) from 7-9 June 2017, in Amsterdam.
Conferences and CFPs
- the CFP for the Handling, Placing and Looking at Photographs conference, Florence, 12-13 Oct 17
- the CFP for Spaces of Remembering and Forgetting: An Interdisciplinary Conference
- the CFP for the The Art of Remembrance: Family, Art and Memory in New England
- the Kitchens and Kitchen Gardens conference, 18 Jan 2017, London
- the Women as art critics in 18thC conference 25 Feb 2017, Chawton House Library
- the CFP for the Graduate Student Symposium – History of 19th-Century Art, New York, 26 Mar 17
- the CFC for Age and Gender: Ageing in the Nineteenth Century, a Nineteenth Century Gender Studies special issue
- British Art Studies, issue 4
- Nineteenth-Century Contexts, Volume 39, Issue 1, February 2017
- OBJECT, no. 18
- Nineteenth-Century Art Worldwide, vol. 15, issue 3
- Journal18, Issue 2 “LOUVRE LOCAL”
Blog Posts & Websites
I don’t think I’ve spoken before about my love of the Age of Revolutions blog. This increased exponentially this month thanks to their multi-part series on alcohol in its revolutionary contexts and which featured posts on the ‘TRANS-IMPERIAL GEOGRAPHIES OF RUM: PRODUCTION AND CIRCULATION‘, ‘THE FALSE HOPE OF CORN STALK RUM DURING THE AMERICAN REVOLUTION‘, ‘INTOXICATION AND THE FRENCH REVOLUTION‘, and ‘RUM, OATHS, AND SLAVE UPRISINGS IN THE AGE OF REVOLUTION‘. The series has been a fascinating look at how the quotidian and the political intersect.
I’ve also been enjoying the Romantic Illustration Network‘s Image of the Month series. This time, it was Theodore von Holst’s ‘Frankenstein’ (1831), which is discussed at length in Ian Haywood’s fascinating post on the image.
Sarah Forbes Bonetta (Sarah Davies) by Camille Silvy. Albumen print, 15 September 1862
3 1/4 in. x 2 1/4 in. (83 mm x 56 mm), National Portrait Gallery, London.
My object of the week is this albumen portrait of Sarah Forbes Bonetta, which was used to illustrate the National Portrait Gallery’s event In Conversation: Portraits of the Past: Researching Black Lives in the Archives. Dr Caroline Bressey and Dr Gemma Romain will discuss their experiences of researching images of black lives in archives, before reflecting upon the position of black historical research in Britain today.
This week, Goldsmiths, University of London announced that is was launching the world’s first postgraduate degree in Queer History, beginning in 2017. Perhaps even more excitingly for those of us working on queer culture, the university is also in discussions about the creation of a National Queer Archive.
I was excited to read about the Public Domain Review’s new Conjectures Series, a forum for ‘experiments with historical form and method’. Just like Storying the Past before it, such vehicles provoke important reflection on the discipline of history and what we as historians ‘do’. The first post in the series is Easter McCraney’s discussion of longing and the objects of history, which the editor describes as a ‘history poem’.
Also from the Public Domain Review, Ryan Feigenbaum’s essay Visions of Algae in Eighteenth-Century Botany provides a compelling consideration of the cultural import of a single species of algae: Conferva fontinalis.
I greatly enjoyed reading the fascinating special issue of the open access Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture (15:2), on The Greek Slave by Hiram Powers: A Transatlantic Object, edited by Martina Droth & Michael Hatt. The issue discusses Powers’s sculpture in unparalleled detail, while simultaneously locating it within a number of its cultural contexts, thereby skilfully interweaving the sculpture’s micro and macro histories. I was also excited to see the CFP for the next issue of MDCCC 1800 – the international online journal of nineteenth-century culture – on the ‘Arts on display: the 19th century international expositions‘. Each of these ventures serve to emphasise just how exciting publishing on nineteenth-century art is at the moment.
Other CFPs, conferences, journal special issues and articles that caught my eye this week included:
The CFP for the Heritages of Migration: Moving Stories, Objects and Home conference.
The programme for the Paul Mellon Centre’s upcoming conference Art in the British Country House: Collecting and Display.
The Auricular Style: Frames conference, which brings together research in fine & decorative art histories in order to shed light on the neglected Auricular style. The conference programme is available here.
The CFP for the Refiguring Romanticisms: Cross-Temporal Translations and Gothic Transgressions seminar.
The CFP for a forthcoming special issue of Eighteenth-Century Studies on ‘Empires’.
The William Wordsworth: Poetry, People and Place MOOC, run by Lancaster University in collaboration with Dove Cottage, Wordsworth’s home between 1799 to 1808.
The Storify for BAVS 2016 conference, Consuming (the) Victorians.