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Week in Review – 27 August

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tumblr_inline_otz2m6og971uxtbbs_1280.jpgHatfield Family Bible, Case folio BS185 1838.N4, Newberry Library

A round up of CFPs, conferences, and posts from the last week (…or so).

First up: a bit of self promo. There’s still a little while left before the deadline for our call for articles for the special issue of Nineteenth-Century Gender StudiesMaking Masculinity: Craft, Gender, and Material Production in the Long Nineteenth Century. We’d love to see articles from you! The full CFA is available here.

Similarly, Cole Collins and I are really excited to read your collage-related abstracts for our upcoming conference Collage, Montage, Assemblage: Collected and Composite Forms, 1700-Present. The CFP is available here, and we even wrote a post on our favourite scholarly works on collage here.

Next, this post from the Newberry’s blog, The Rite Stuff, examining ‘Family History in a Bible’. I really enjoy the object biography approach taken to the object.

The programmes for the Enlightened Princesses conference, the vcologies 2 working group annual meeting, and the Alma-Tadema: Antiquity at Home and on Screen conference

CFPs that caught my eye this week included:

CFP – Passing: Fashion in American Cities

CFP – Interior Provocations – Interiors without Architecture

CFP – Making Things Modular

CFP – Fire and Water: Entangled Histories of Empire and Science in the Early Modern Americas

CFP – Remarkable Things: The Agency of Objecthood and The Power of Materiality

CFP – Creative Pedagogies: Approaches to the Commonplace Book

CFP – C19: Acts of Consumption: Performance, Bodies, Culture

CFP – Crafting an Enlightened World: Patronage & Pioneers

Today marks the beginning of my last week of my Short-Term Research Fellowship at the Winterthur Museum, so once the craziness of the summer has passed, I’ll be back to regular Week in Review posts, so watch this space!

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Week in Review – 23 July

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My object of the week is this INCREDIBLE Album of Seaweed Pictures from 1848, now held at the Brooklyn Museum. The album was made as a gift for Augustus Graham, a member of the first board of directors of the Brooklyn Apprentice’s Library, later to become the Brooklyn Institute of Arts and Sciences and the Brooklyn Museum.

I was really sorry to miss the Beyond Between Men symposium, so I hugely enjoyed reading Rachel E. Moss’s round-up blog post about the event. You can read it here.

The BAVS Talks 2017 videos are now all up online. You can take a look here.

CFP: CAA 2018 – Imperial Islands: Vision and Experience in the American Empire after 1898

Although the CFP deadline for the Home Comforts: The physical and emotional meanings of home in Europe, 1650-1900 conference has now passed, I still wanted to bring attention to this fascinating-sounding conference, which intersects interestingly with my current book project.

The edited volume Feminism and Art History Now: Radical Critiques of Theory and Practice, is out now from I B Tauris, and will be an essential resource for anyone using feminist theory in their art historical writing.

NOTCHES is seeking contributions for an upcoming and continuing series on transgender histories. See the CFP for full details, deadline September 15, 2017.

Issue 6 (Summer 2017) of British Art Studies is now live. The special issue focuses on Invention and Imagination in British Art and Architecture, 600–1500, and examines lots of fascinating objects at length and in depth.

Other conferences, CFPs, etc that caught my eye this week included:

  • CONF: Re/presenting the Body (Glasgow, 6-7 Jul 17)
  • CFP: Jewellery Matters (Amsterdam, 16-17 Nov 17)
  • CONF: Film|Bild|Emotion (Regensburg, 20-21 Jul 18)
  • CFP: Collecting Medieval Sculpture (Paris, 23-24 Nov 17)
  • CONF: Nineteenth-Century Art in Islamic Countries (Vienna, 6-9
    Jul 17)
  • CFP: Temporary and Mobile Domesticities, 1600 to the present – 10.10.2017, London
  • CFC: Special Issue of The History of the Family
  • CFP: Issue: Material and Visual Cultures of Religion in the American South

Week in Review – 29 January

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First up this week, is the Victoria & Albert Museum’s exhibition Lockwood Kipling: Arts and Crafts in the Punjab and London, a fascinating exploration of the life, work and lasting impact of John Lockwood Kipling (1837 – 1911), an artist, writer, museum director, teacher, conservationist and influential figure in the Arts and Crafts movement. The exhibition includes a wide array of objects, including book plates, jewellery, furniture, photographs, and other forms of decorative art. The exhibition is complemented by the conference The Many Careers of John Lockwood Kipling (25 Feb), and runs until 2 April.

Secondly, I enjoyed Pat Thomson’s post, ‘What does a book proposal reviewer do?‘. Having recently acted as a reader for a press, while concurrently having my own book proposal under review at another, the ideas in this post are something I’ve been thinking about a lot.

I was interested to note two complementary conferences on issues of photography and materiality, the first Photo Archives VI: The Place of Photography (Oxford, 20-21 Apr 17), and the second, Photo-Objects. On the Materiality of Photographs and Photo-Archives in the Humanities and Sciences (Florence, 15-17 Feb 16). As I continue my new research on photocollage, I’m becoming increasingly concerned with the idea of photograph-as-object, something that these conferences also look to explore.

As a keen advocate of academic blogging, I read Jeanne de Montbaston’s post Why do academic blogging? with interest. I find it particularly interesting that so much of de Montbaston’s teaching and research output starts life in the blog post form. I’m keen to experiment with blogging from the early stages of my research process for my new project on collage.

I’m eager to hear more about the newly-launched Eighteenth-century Arts Education Research Network (EAERN), which recently received funding from the Royal Society of Edinburgh. The network ‘brings together an international community of researchers in music, art, literature, history, and dance to share approaches to investigate eighteenth-century arts educational materials‘.

The following conferences, seminars, and CFPs also caught my eye:

CFP: At Close Quarters: Experiencing the Domestic, c.1400-1600

CFP: Beyond Between Men: Homosociality Across Time

CFP: Imagined Forms: Models and Material Culture, UD-CMCS/Hagley; November 2017

Programme: Edinburgh’s Nineteenth-Century Research Seminars

CFP: Mapping Black Mobilities and Identities in the Long 19th Century

CFP: Harts & Minds, Vol.3, Issue 2 (2017) ‘Embodied Masculinities’

CFP: Arthur Symons at the Fin de Siècle (21 July 2017)

CFP: Beyond the Home: New Histories of Domestic Servants (Oxford, 8 September 2017)

CFP: Printmaking in America, 1800-1865 (Gloucester, 28 Oct 17)

CFP: Full Circle: The Medal in Art History (New York, 8-9 Sep 17)

Week in Review – 1 January

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Happy New Year to all my readers. 2017 promises to be an exciting year, but I’ll talk more about that in Wednesday’s post. For now, here’s a roundup of everything that caught my attention in the final week of 2016.

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First up, these Summer 2017 internships with the Boston Furniture Archive, which sound like a fantastic opportunity to do some hands-on collection based work.

Next, the Centre for the History of the Emotions’ 2016 Annual Lecture by Professor Stephen Brooke (University of York, CA). Titled ‘Hate and Fear: Emotion, Politics and Race in 1980s London’, the lecture is now on the centre’s youtube channel.

The Bard Graduate Center’ forthcoming Summer Institute American Material Culture: Nineteenth-Century New York (July 3–28, 2017), also caught my eye. Sponsored by the National Endowment for the Humanities, the Institute promises a in-depth look at the history of New York and its associated material culture.

Prompted by Karen Kelsky’s excellent recent Vitae blog ‘The Job Market in a New Administration’, I also read Ellen Willis’s essayIdentity Crisis‘ for the first time this month. As issues of identity are at the forefront of this changing political landscape, prolonged considerations of the meaning and manifestations of identity have never been more important. Willis’s essay, though written in 1992, is incredibly relevant for the current academic and political climate.

The following conferences, CFAs and CFPs also sound particularly interesting (with many touching on issues of identity that are so relevant to Willis’s essay):

  • CFP/Manuscripts: Special Issue of Journal of Homosexuality, “LGBTQ Popular Culture: The Changing Landscape”
  • CFP: #QueerAF: (Re)presenting Gender & Sexuality in History & Cultural Studies
  • CFP: 2017 Midwest Art History Society Session: “Is there an African Atlantic?
  • CONF: Politics in fashion and textiles (Vienna, 19-21 Jan 17)
  • CFP: Conflict, Healing and the Arts (Durham, 27 May 17)
  • CFP: The Coarseness of the Brontës: A Reappraisal (Durham, 10-11 Aug 17)
  • CFP: Material and Sensory Cultures of Religion
  • CFP: Material Culture Research Symposium (Glasgow, 12 June 17)
  • CFP: American Identities on Land and at Sea (New York, 21 Apr 17)

My final pick is the CFP for the multidisciplinary collection Colonial Caribbean Visual Cultures, which examines ‘the creation and circulation of colonial visual cultures from the Caribbean during the eighteenth and nineteenth centuries’. The CFP reminded me of another recent publication, The Colour of Shadows: Images of Caribbean Slavery by Judy Raymond. I’m excited to read each of them.

Week in Review – 11 December

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It’s been a few weeks since my last Week in Review, so this week is a bit of a bumper post of exhibitions, conferences, talks, articles, and CFPs – enjoy!

7.-lycidas.jpgCharlotte Brontë, Lycidas, Watercolour drawing, March 4, 1835. Copied from a print after painting by Henry Fuseli. Brontë Parsonage Museum.

Exhibitions 

First up, I want to highlight The Morgan Library & Museum’s exhibition Charlotte Brontë: An Independent Will, which includes many examples of her juvenalia, as explored in this beautifully-written and illustrated article in The Paris Review.

Secondly, the Bard Graduate Center’s exhibition Charles Percier: Architecture and Design in an Age of Revolutions, which runs until February 5, 2017 and is the first large-scale exhibition to survey the French architect and interior designer. The Center recently hosted an accompanying symposium on Percier: Antiquity and Empire, which can be viewed on the centre’s youtube channel (which also features this rather good recent talk on Eames, by the hugely important design historian Pat Kirkham).

Thirdly, the forthcoming exhibition of Maria Sibylla Merian’s work, Maria Merian’s Butterflies, which will be at The Queen’s Gallery, Palace of Holyroodhouse from 17 March 2017. There will be an accompanying conference (Changing the Nature of Art and Science: Intersections with Maria Sibylla Merian) from 7-9 June 2017, in Amsterdam.

Conferences and CFPs

  • the CFP for the Handling, Placing and Looking at Photographs conference, Florence, 12-13 Oct 17
  • the CFP for Spaces of Remembering and Forgetting: An Interdisciplinary Conference 
  • the CFP for the The Art of Remembrance: Family, Art and Memory in New England
  • the Kitchens and Kitchen Gardens conference, 18 Jan 2017, London
  • the Women as art critics in 18thC conference 25 Feb 2017, Chawton House Library
  • the CFP for the Graduate Student Symposium – History of 19th-Century Art, New York, 26 Mar 17
  • the CFC for Age and Gender: Ageing in the Nineteenth Century, a Nineteenth Century Gender Studies special issue
Books and Journals 

I’m super excited for Heidi Thomson’s new book, Coleridge and the Romantic Newspaper: The Morning Post and the Road to Dejection, which will undoubtedly be an important resource for work on Romantic reading practices.

The past month has also featured a new issues from a number of innovative online journals and publishing outlets, including:

Blog Posts & Websites 

I don’t think I’ve spoken before about my love of the Age of Revolutions blog. This increased exponentially this month thanks to their multi-part series on alcohol in its revolutionary contexts and which featured posts on the ‘TRANS-IMPERIAL GEOGRAPHIES OF RUM: PRODUCTION AND CIRCULATION‘, ‘THE FALSE HOPE OF CORN STALK RUM DURING THE AMERICAN REVOLUTION‘, ‘INTOXICATION AND THE FRENCH REVOLUTION‘, and ‘RUM, OATHS, AND SLAVE UPRISINGS IN THE AGE OF REVOLUTION‘. The series has been a fascinating look at how the quotidian and the political intersect.

I’ve also been enjoying the Romantic Illustration Network‘s Image of the Month series. This time, it was Theodore von Holst’s ‘Frankenstein’ (1831), which is discussed at length in Ian Haywood’s fascinating post on the image.

Finally, I’ve found source lists such as Mark Carrigan’s post The Sociology of Trump: An Initial Reading List, or The New Inquiry’s post A Time for Treason, to be invaluable resources in the wake of November’s Presidential election.

Week in Review – 11 September

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mw66053.jpgSarah Forbes Bonetta (Sarah Davies) by Camille Silvy. Albumen print, 15 September 1862
3 1/4 in. x 2 1/4 in. (83 mm x 56 mm), National Portrait Gallery, London.

My object of the week is this albumen portrait of Sarah Forbes Bonetta, which was used to illustrate the National Portrait Gallery’s event In Conversation: Portraits of the Past: Researching Black Lives in the Archives. Dr Caroline Bressey and Dr Gemma Romain will discuss their experiences of researching images of black lives in archives, before reflecting upon the position of black historical research in Britain today.

This week, Goldsmiths, University of London announced that is was launching the world’s first postgraduate degree in Queer History, beginning in 2017. Perhaps even more excitingly for those of us working on queer culture, the university is also in discussions about the creation of a National Queer Archive.

I was excited to read about the Public Domain Review’s new Conjectures Series, a forum for ‘experiments with historical form and method’. Just like Storying the Past before it, such vehicles provoke important reflection on the discipline of history and what we as historians ‘do’. The first post in the series is Easter McCraney’s discussion of longing and the objects of history, which the editor describes as a ‘history poem’.

Also from the Public Domain Review, Ryan Feigenbaum’s essay Visions of Algae in Eighteenth-Century Botany provides a compelling consideration of the cultural import of a single species of algae: Conferva fontinalis

I greatly enjoyed reading the fascinating special issue of the open access Nineteenth-Century Art Worldwide: A Journal of Nineteenth-Century Visual Culture (15:2), on The Greek Slave by Hiram Powers: A Transatlantic Object, edited by Martina Droth & Michael Hatt. The issue discusses Powers’s sculpture in unparalleled detail, while simultaneously locating it within a number of its cultural contexts, thereby skilfully interweaving the sculpture’s micro and macro histories. I was also excited to see the CFP for the next issue of  MDCCC 1800 – the international online journal of nineteenth-century culture – on the ‘Arts on display: the 19th century international expositions‘. Each of these ventures serve to emphasise just how exciting publishing on nineteenth-century art is at the moment.

Other CFPs, conferences, journal special issues and articles that caught my eye this week included:

The CFP for the Heritages of Migration: Moving Stories, Objects and Home conference.

The programme for the Paul Mellon Centre’s upcoming conference Art in the British Country House: Collecting and Display.

The Auricular Style: Frames conference, which brings together research in fine & decorative art histories in order to shed light on the neglected Auricular style. The conference programme is available here.

The CFP for the Refiguring Romanticisms: Cross-Temporal Translations and Gothic Transgressions seminar.

The CFP for a forthcoming special issue of Eighteenth-Century Studies on ‘Empires’.

The William Wordsworth: Poetry, People and Place MOOC, run by Lancaster University in collaboration with Dove Cottage, Wordsworth’s home between 1799 to 1808.

The Storify for BAVS 2016 conference, Consuming (the) Victorians. 

Week in Review – 21 August

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My object of the week is this c.1760 Worcester dish, which features the company’s Valentine pattern (Brian Haughton Gallery). Featuring symbols of love, the emotional qualities of the object resonate with the work I’m currently doing on my monograph project, which examines the social and emotional functions of domestic space and its associated material culture.

This week, I was also intrigued to read the article ‘Renowned Feminist Art Historian Amelia Jones Believes that the Discipline of Art History Should be Restructured to Embrace New Narratives and Diverse Voices‘. Whilst it’s true that Jones’s argument is nothing new (indeed, it has been advocated by Pollock, Parker, and Krauss among others), I find it heartening to see these views discussed on the public platform of the Huffington Post.

I’m also currently obsessed with the New York Public Library’s Emoji Bot – tweet an emoji to the bot, and it will reply with an object/image from the Library’s collections.

Other things that caught my eye this week included:

The programme for the Women’s History Scotland Annual Conference (coming up this Friday).

This Atlas Obscura article How Flower-Obsessed Victorians Encoded Messages in Bouquets.

This interview with the curator of the The Henry Moore Institute’s latest exhibition, William Hamo Thornycroft: ‘Charity And Justice’.

Thomas Dixon’s blog post What is anger? 1. Martha Nussbaum, discusses the definition of anger provided by Nussbaum’s latest book Anger and Forgiveness.

The Things That Make Us podcast, a podcast about people and the objects that have shaped them.

The programme for the Critical Love Studies Research Workshop at the University of Hull’s Love Research Network.

Linda Walsh’s new bookA Guide to Eighteenth-Century Art. I’m interested to see how (and if) Walsh integrates the concerns advocated by Jones (above) in her account of eighteenth-century art.