Week in Review

Week in Review – 5 March

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Zoffany.jpgQueen Charlotte (detail; 1771), Johan Joseph Zoffany. Royal Collection Trust, UK. 

First up this week, this Apollo Magazine review of Yale Centre for British Art‘s exhibition Enlightened Princesses: Caroline, Augusta, Charlotte and the Shaping of the Modern World, which runs until April 30th (frustratingly, just one day before I arrive there as a visiting scholar!).

Secondly, I read Alice Kelly’s articleHow to make writing in the humanities less lonely‘, which discusses TORCH’s writing group with interest, as the group was a crucial source of inspiration for our own version in Edinburgh.

I thoroughly enjoyed this post from the National Museum of Scotland on Owen Jones’ Grammar of Ornament, which is an important object within the museum’s newly curated art and design galleries.

The Storifys for each day of the three days of the War Through Other Stuff conference are now available here. I’ll be posting some thoughts from the conference in an upcoming blog post next week.

I was also captivated by this Victoria and Albert Museum videoGarnitures: Vase Sets from National Trust Houses‘, which examines rare surviving examples of vase sets and ceramic ornaments from National Trust houses being displayed on furniture and in period rooms at the V&A.

I was excited to see that the special inaugural issue of the Journal of Romanticism, on Romanticism and mysticism, is now available for purchase.

Finally, I saw a reminder this week that all of the University of Cambridge Things sessions are available as podcasts online – I must catch up asap!

The following CFPs, conferences and CFAs also caught my attention this week:

CFP: Evidence of Power in the Ruler Portrait, 14th – 18th Centuries (1-2 Dec 17)

CFP: Material Histories of Time: Objects and Practices, 14th-18th centuries (La Chaux-de-Fonds, Musée international d’horlogerie, November 30 – December 1, 2017)

CFP: “Hawthorne and Things” MLA 2018

CONF: Dress and Diplomacy (Copenhagen, 22 Mar 17)

CFP: AAH Summer Symposium: Re/presenting the Body (Glasgow,
6-7 Jul 17)

CFP: Collections – Scholars – Interpretations (Tbilisi, 2-3
May 17)

CONF: Graduate Student Symposium – History of 19th-Century Art (New York, 26 Mar 17)

CFP: Special issue of Southern Cultures: Southern Things (Material Culture)

CFA: The Pre-Raphaelites and Antiquity (Special Issue Open Cultural Studies)

CFA: On Uses of Black Camp (Special Issue Open Cultural Studies)

CFA: Materiality, Objects and Objecthood (Special Issue Open Cultural Studies)

Week in Review – 26 February

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Victorian hand calling card, private collection.

A slightly belated Week in Review post.

As I’ve noted before, Notches and the Age of Revolutions blogs are amongst my favourite academic blogs, and both present really interesting work in their respective fields. Of late, I particularly enjoyed Notches’ ‘Femme Histories Roundtable‘ series (parts I and II), as well as this amazing post on ‘Disembodied Desire‘, focusing on disembodied Victorian limbs, as seen in the above calling card.

In case you missed me excitedly sharing this on Twitter and Facebook, here’s a Hyperallergic article on Sotheby’s first-ever auction of erotic artworks. I was particularly enamoured with this incredible painted plywood table, a copy after those supposedly held in a secret erotic salon of Catherine the Great. For this and many other fascinating objects check out the auction catalogue.

I hugely enjoyed this article on the history of the colour red from The Paris Review, and was fascinated by this touching article on the epistolary correspondence of two men during the Second World War.

I was keen to watch this webinar on ‘Exploring the Africana Historic Postcard Collection‘, which discusses the African Section of the Library of Congress’ African and Middle Eastern Division’s collection of more than 2000 historical photographic postcards. The collection is an important visual record of Africa and its people during the historically intensive years of European colonialism from 1895 to 1960.

I also really enjoyed Pat Thomson’s thought-provoking post on developing institutional writing cultures. Thomson writes compellingly about the need for rebuilding such collective practices, which is something that strongly rings true for me as a participant in an academic writing group. Thomson’s post was written a few days before my fellow writing-group attendee Lucie Whitmore wrote a post on our writing group for the SGSAH Blog, and they had a lovely synchronicity in my mind. I’m also going to write an update post on my own progress with the writing group at some point soon, so watch this space.

Publications wise, the table of contents for the first issue of the Journal for Art Market Studies (Vol 1, No 1 (2017)), also caught my attention this week, as did this call for book proposals on Gender and Culture in the Romantic EraI was also really excited to see that Joanna Cohen’s book Luxurious Citizens: The Politics of Consumption in Nineteenth-Century America has now been published by the University of Pennsylvania Press. I’m sure this book will become an essential text for me as I expand my research to look at nineteenth-century American material culture.

 The following CFPs and conferences also caught my eye:

CFP: Consuming Gender, Assuming Gender one-day symposium (14 July 2017, Cardiff University)

CFP: Decor and Architecture (Lausanne, 16-17 Nov 17)

CFPFrench and English Rivalries in Dress and Textiles 1700-1914 (Paris, October 13-14, 2017)

CFP: “Emotions, Death and Dying” -PJHS (Winter 2017)

CFP: Queering the Transpacific: Asian American, American and Asian Queer Studies (March 31, 2017)

Finally, I noted with interest that there a number of vacancies on the Design History Society’s Board of Trustees, applications are due by mid-March.

Week in Review – 19 February

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John Richard Coke Smyth, Elizabeth, Lady Eastlake. Watercolour
4 3/4 in. x 4 1/4 in. (121 mm x 108 mm), National Portrait Gallery, London.

First up, the conference programme for the Writing Art: Women Writers as Art Critics in the Long Eighteenth Century conference. The conference intersects with a number of my projects, firstly an article I’m currently writing on eighteenth- and nineteenth-century women travel writers and the narratives they tell through objects, and secondly, #WaysofSheing, a twitter-based project that aims to highlight and celebrate the contributions of female art historians. The conference features presentations on Elizabeth, Lady Eastlake (pictured above), Germaine de Staël, and the travel writer Maria Graham.

I enjoyed Sarah Read’s article ‘‘Gushing Out Blood’: Defloration and Menstruation in Memoirs of a Woman of Pleasure‘, from a recent edition of the Journal of Medical Humanities.  In the article Read explores how Cleland ‘repeatedly depicts and eroticises the act of defloration’ in his erotic 1740s novel Fanny Hill. 

Deborah Cohen’s The Atlantic article ‘Before Straight and Gay: The discreet, disorienting passions of the Victorian era‘, which begins with a microcosmic examination of the queer histories of the Benson family, is a fascinating read.

I was fascinated by this BBC News video, on the forgotten Victorian botanical painter Marianne North.

I also really enjoyed this revealing interview with April Haynes, author of Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth-Century America in a recent post on the Notches blog.

As ever, the Public Domain Review has been a wonderful source of articles and objects. I particularly enjoyed this recent essay by Yvonne Seale on nineteenth-century genealogy.

The following CFPs and conferences also caught my attention:

CONF: Women, Authorship, and Identity in the Long Eighteenth Century: New Methodologies (June 17, 2017)

CFP: Anonymity Unmasked: Identity, Agency, Responsibility (September 13-15, 2017)

CFP: Death and the Maiden (July 21-24, 2017)

CFP: Romanticism and Popular Culture (November 3-5, 2017)

Week in Review – 29 January

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First up this week, is the Victoria & Albert Museum’s exhibition Lockwood Kipling: Arts and Crafts in the Punjab and London, a fascinating exploration of the life, work and lasting impact of John Lockwood Kipling (1837 – 1911), an artist, writer, museum director, teacher, conservationist and influential figure in the Arts and Crafts movement. The exhibition includes a wide array of objects, including book plates, jewellery, furniture, photographs, and other forms of decorative art. The exhibition is complemented by the conference The Many Careers of John Lockwood Kipling (25 Feb), and runs until 2 April.

Secondly, I enjoyed Pat Thomson’s post, ‘What does a book proposal reviewer do?‘. Having recently acted as a reader for a press, while concurrently having my own book proposal under review at another, the ideas in this post are something I’ve been thinking about a lot.

I was interested to note two complementary conferences on issues of photography and materiality, the first Photo Archives VI: The Place of Photography (Oxford, 20-21 Apr 17), and the second, Photo-Objects. On the Materiality of Photographs and Photo-Archives in the Humanities and Sciences (Florence, 15-17 Feb 16). As I continue my new research on photocollage, I’m becoming increasingly concerned with the idea of photograph-as-object, something that these conferences also look to explore.

As a keen advocate of academic blogging, I read Jeanne de Montbaston’s post Why do academic blogging? with interest. I find it particularly interesting that so much of de Montbaston’s teaching and research output starts life in the blog post form. I’m keen to experiment with blogging from the early stages of my research process for my new project on collage.

I’m eager to hear more about the newly-launched Eighteenth-century Arts Education Research Network (EAERN), which recently received funding from the Royal Society of Edinburgh. The network ‘brings together an international community of researchers in music, art, literature, history, and dance to share approaches to investigate eighteenth-century arts educational materials‘.

The following conferences, seminars, and CFPs also caught my eye:

CFP: At Close Quarters: Experiencing the Domestic, c.1400-1600

CFP: Beyond Between Men: Homosociality Across Time

CFP: Imagined Forms: Models and Material Culture, UD-CMCS/Hagley; November 2017

Programme: Edinburgh’s Nineteenth-Century Research Seminars

CFP: Mapping Black Mobilities and Identities in the Long 19th Century

CFP: Harts & Minds, Vol.3, Issue 2 (2017) ‘Embodied Masculinities’

CFP: Arthur Symons at the Fin de Siècle (21 July 2017)

CFP: Beyond the Home: New Histories of Domestic Servants (Oxford, 8 September 2017)

CFP: Printmaking in America, 1800-1865 (Gloucester, 28 Oct 17)

CFP: Full Circle: The Medal in Art History (New York, 8-9 Sep 17)

Week in Review – 15 January

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First up, I’m hugely excited by the programme for this year’s Slade Lectures, which will be given by Caroline van Eck. Eck’s work on objects, experience, senses, rituals and neoclassicism are critical in my own work, but the Lectures are an unmissable series for anyone interested in the history of art. Fingers crossed the lectures will be podcasted, as they have been in previous years.

I read with interest Nathan Perl-Rosenthal’s series on ‘Plotting Revolution‘, for the Age of Revolutions blog. This three-part series considers the complex relationship between history and narrative, something which is also explored in the fascinating Storying the Past project, which will discuss the book The Extraordinary Work of Ordinary Writing (and therefore, issues surrounding women’s life-writing and biography) via twitter in February.

I also enjoyed Anne-Lieke Brem’s post Things that matter(-ed): A biography of anatomical votive reliefs for The Votives Project, which reflects on issues of biography and the changing value of ancient votive reliefs as ‘things’.

I was also made aware of the Association for Critical Race Art History‘s fantastic bibliographic resource this week. Their site provides a number of bibliographies, divided by region, for those seeking to investigate issues of race and ethnicity in art and visual culture. These extensive bibliographies are available here.

As ever, the latest issue of the Journal of Art Historiography provides a fascinating selection of articles, translations and discussions. In the December 2016 issue, I was particularly intrigued by the discussions of ‘Baroque for a wide public’, which seek to add nuance to dominant histories of this global movement.

The following CFPs, CFAs and conferences also caught my attention this week:

CFP: Carnal Canucks, Histories of Sexuality in Canada

CFP: ANTIPODEAN ANTIQUITIES: CLASSICAL RECEPTION ‘DOWN UNDER’

CFP – Nostalgia & Consumer Culture in the 20th Century; SSHA 2017

CFC: The Spaces and Places of Horror

CONF: Coding and Representation

CONF: Trauma & Melodrama: Emotions in the Public Sphere / Conference in Cinema and Media Studies at the University of Chicago

CFP: From Abolition to Black Lives Matter: Past and Present Forms of Transnational Black Resistance

CFP: Photography and the Histories of Working Peoples and Laboring Lives

Finally, I’m excited to see the Glad to be Gay exhibition, which draws on the unique Hall-Carpenter Archives and the Women’s Library collection to mark the 50th anniversary of a pivotal piece of legislation, the 1967 Sexual Offences Act. Glad to be Gay will be at LSE, London, until April.

Week in Review – 8 January

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Screen Shot 2017-01-08 at 20.51.01.jpgImage via The Conversation 

Perhaps the most significant event this week, was the passing of the great art critic John Berger, whose hugely influential book and tv series ‘Ways of Seeing’, has been a touchstone of art historical and critical enquiry since its publication in the 1970s. Many excellent articles and obituaries of Berger were published this week, including this, this, and this.

I was excited to see that Joanne Begiato’s article ‘Tears and the Manly Sailor in England, c. 1760–1860‘, in the Journal for Maritime Research is free access. Download it here.

I greatly enjoyed the post, ‘Feel free to call me Dr.’ on the Tenure, She Wrote blog. It’s excellent on the politics of nomenclature in academia, and the importance of these issues for academics who are from minority backgrounds. I also enjoyed Dr Kieran Fenby-Hulse’s post, ‘From 2016 to 2017: Thoughts on Research Practice, Embedding Creativity, Punk Academia, and Work-Life Balance‘, which is also great on issues of identity within the academy.

There were a number of events that drew my attention this week, including the Centre for the History of the Emotions‘ 2017 Seminar Programme , the upcoming event ‘Living With Feeling in the Nineteenth-Century‘ at Royal Holloway’s Centre for Victorian Studies, and the Cruising the 1970s project’s eventBetween the Sheets: Radical print cultures before the queer bookshop‘.

The following CFPs also caught my eye:

Call for Submissions: Anthology on Arab Masculinity

CFP: Moving Beyond Paris and London: Influences, Circulation, and Rivalries in Fashion and Textiles between France and England, 1700-1914 (Paris, October 13-14, 2017)

CFP: Remembering the Dead: Slavery and Mortality through Visual Culture in Comparative Perspective, AHA 2018 Panel (Washington D.C., 4-7 January 2018)

Call for Submissions: Museums Journal (theme: ‘Small’)

Call for Participation: Material Culture Caucus at 2017 ASA Conference

Business, Wealth, Enterprise, and Debt: The Economic Side of Mormon History, 1830-1930

CFP: “Hope and Fear”: Interdisciplinary Conference in the Humanities

CFP: Milestones, Markers, and Moments: Turning Points in American Experience and Tradition

CFPInternational Postgraduate Port and Maritime Studies Conference (20-21 April 2017, University of Bristol)

CFP: Classical Antiquity & Memory (19th – 21st Century)

CFP: BAVS 2017 conference, Victorians Unbound

I also really enjoyed the following interview with the design historian Glenn Adamson, titled, ‘The Object as Reality-Check’. It’s a fascinating read that ties discussions of material objects, past and present, with their political contexts. Specifically, Adamson discusses this in relation to his recent course ‘Objects of Dispute‘, a 10 session-long intensive seminar offered as part of the MA in History of Design and Curatorial Studies, run jointly by The New School’s Parsons School of Design and the Cooper Hewitt Museum in New York, and in so doing, teases out the pedagogical issues of teaching about contentious material culture in the current political climate.

Tonight, I listened to my colleague Christian Weikop’s fascinating Radio 3 programme, Kandinsky – A Story of Revolution. It’s available on iPlayer now.

Finally, I note that Yale Center for British Art is advertising its Curatorial Research Fellowship opportunity – there’s just a few more days left, so submit your applications while you can!

Week in Review – 1 January

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Happy New Year to all my readers. 2017 promises to be an exciting year, but I’ll talk more about that in Wednesday’s post. For now, here’s a roundup of everything that caught my attention in the final week of 2016.

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First up, these Summer 2017 internships with the Boston Furniture Archive, which sound like a fantastic opportunity to do some hands-on collection based work.

Next, the Centre for the History of the Emotions’ 2016 Annual Lecture by Professor Stephen Brooke (University of York, CA). Titled ‘Hate and Fear: Emotion, Politics and Race in 1980s London’, the lecture is now on the centre’s youtube channel.

The Bard Graduate Center’ forthcoming Summer Institute American Material Culture: Nineteenth-Century New York (July 3–28, 2017), also caught my eye. Sponsored by the National Endowment for the Humanities, the Institute promises a in-depth look at the history of New York and its associated material culture.

Prompted by Karen Kelsky’s excellent recent Vitae blog ‘The Job Market in a New Administration’, I also read Ellen Willis’s essayIdentity Crisis‘ for the first time this month. As issues of identity are at the forefront of this changing political landscape, prolonged considerations of the meaning and manifestations of identity have never been more important. Willis’s essay, though written in 1992, is incredibly relevant for the current academic and political climate.

The following conferences, CFAs and CFPs also sound particularly interesting (with many touching on issues of identity that are so relevant to Willis’s essay):

  • CFP/Manuscripts: Special Issue of Journal of Homosexuality, “LGBTQ Popular Culture: The Changing Landscape”
  • CFP: #QueerAF: (Re)presenting Gender & Sexuality in History & Cultural Studies
  • CFP: 2017 Midwest Art History Society Session: “Is there an African Atlantic?
  • CONF: Politics in fashion and textiles (Vienna, 19-21 Jan 17)
  • CFP: Conflict, Healing and the Arts (Durham, 27 May 17)
  • CFP: The Coarseness of the Brontës: A Reappraisal (Durham, 10-11 Aug 17)
  • CFP: Material and Sensory Cultures of Religion
  • CFP: Material Culture Research Symposium (Glasgow, 12 June 17)
  • CFP: American Identities on Land and at Sea (New York, 21 Apr 17)

My final pick is the CFP for the multidisciplinary collection Colonial Caribbean Visual Cultures, which examines ‘the creation and circulation of colonial visual cultures from the Caribbean during the eighteenth and nineteenth centuries’. The CFP reminded me of another recent publication, The Colour of Shadows: Images of Caribbean Slavery by Judy Raymond. I’m excited to read each of them.