Week in Review – 19 February

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John Richard Coke Smyth, Elizabeth, Lady Eastlake. Watercolour
4 3/4 in. x 4 1/4 in. (121 mm x 108 mm), National Portrait Gallery, London.

First up, the conference programme for the Writing Art: Women Writers as Art Critics in the Long Eighteenth Century conference. The conference intersects with a number of my projects, firstly an article I’m currently writing on eighteenth- and nineteenth-century women travel writers and the narratives they tell through objects, and secondly, #WaysofSheing, a twitter-based project that aims to highlight and celebrate the contributions of female art historians. The conference features presentations on Elizabeth, Lady Eastlake (pictured above), Germaine de Staël, and the travel writer Maria Graham.

I enjoyed Sarah Read’s article ‘‘Gushing Out Blood’: Defloration and Menstruation in Memoirs of a Woman of Pleasure‘, from a recent edition of the Journal of Medical Humanities.  In the article Read explores how Cleland ‘repeatedly depicts and eroticises the act of defloration’ in his erotic 1740s novel Fanny Hill. 

Deborah Cohen’s The Atlantic article ‘Before Straight and Gay: The discreet, disorienting passions of the Victorian era‘, which begins with a microcosmic examination of the queer histories of the Benson family, is a fascinating read.

I was fascinated by this BBC News video, on the forgotten Victorian botanical painter Marianne North.

I also really enjoyed this revealing interview with April Haynes, author of Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth-Century America in a recent post on the Notches blog.

As ever, the Public Domain Review has been a wonderful source of articles and objects. I particularly enjoyed this recent essay by Yvonne Seale on nineteenth-century genealogy.

The following CFPs and conferences also caught my attention:

CONF: Women, Authorship, and Identity in the Long Eighteenth Century: New Methodologies (June 17, 2017)

CFP: Anonymity Unmasked: Identity, Agency, Responsibility (September 13-15, 2017)

CFP: Death and the Maiden (July 21-24, 2017)

CFP: Romanticism and Popular Culture (November 3-5, 2017)

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