This week’s object of the week isn’t mine per se, but Zara Anishanslin’s. In her recently published book, Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World, Anishanslin uses the silk dress depicted above as a means to (de)construct and examine the worlds of four identifiable people who produced, wore, and represented it: a London weaver, one of early modern Britain’s few women silk designers, a Philadelphia merchant’s wife, and a New England painter.
Other announcements, events, courses, and posts that caught my eye this week included:
The recent special issue of the Scandinavian Journal of History on Gender, Material Culture and Emotions in Scandinavian History. The issue contains articles on religion and emotion, needlework, botany, and Chinese porcelain.
The University of Exeter’s fascinating new MOOC Empire: the Controversies of British Imperialism, which begins today.
Sean Willcock’s fascinating article ‘Composing the Spectacle: Colonial Portraiture and the Coronation Durbars of British India, 1877-1911‘, in the latest volume of Art History.
The Paul Mellon Centre for British Art’s new public lecture course, The Country House: Art, Politics, and Taste. The course covers a fascinating array of subjects over a broad period. See the syllabus here.
This video, Academic video blogs: 5 tips for getting started. I’ve written before about enjoying both Ellie Mackin & Emma Cole’s early career researcher vlogs, so it was with interest that I watched this source from jobs.ac.uk. I believe that video blogs, much like twitter, can help to destabilise traditional hierarchies endemic to academia.
Alexis L. Boylan’s article ‘Augustus Saint-Gaudens, Robert Louis Stevenson, and the Erotics of Illness‘, from the recent issue of American Art is a gorgeously written, fascinating approach to its subject, Saint-Gaudens’ portrait miniature of the infirm Louis Stevenson.