Month: August 2015

Week in Review: August 28

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This article examining the material culture of abandoned psychiatric institutions: ‘Abandoned Suitcases Reveal Private Lives of Insane Asylum Patients‘.

This oral history project: ‘A Hackney Autobiography‘.

This blog post on first-world-war period sexuality by Lesley Hulonce: ‘A ‘Hotbed of Immorality’? World War One and Sexual Panic

New details for the Association of Art Historians’ textbook, Thinking About Art History.

This CFP on ‘Colonial Entanglements in the Production of Knowledge‘.

This event at the Black Cultural Archives: ‘Past Reflections: African History in England‘.

This series of podcasts examining Women, Gender, and Sex in the Ottoman World.

This CFP for Concentric: Literary and Cultural Studies on ‘Life Writing as Empathy

New book on ‘Concepts of Value in European Material Culture, 1500–1900

The People’s Conclusion to #VoxPop2015.

Ushashi Dasgupta’s article on ‘voices from below’ in literary Victorian studies.

Storying the Past, a virtual reading group project ‘devoted to creative and innovative approaches to writing history’.

This exciting book – New Paths to Public Histories.

Difficult Women in the Long Eighteenth Century, 1680-1830

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I’m thrilled that I will be presenting my research on Anna Seward and poetic forms of gift exchange at the Difficult Women in the Long Eighteenth Century, 1680-1830 conference in November (University of York, 27-28 November, 2015 – further details can be found here).

I’ve included my abstract below, and will share a full copy of the conference programme once announced. Below is Sarah Ponsonby’s frontispiece to Anna Seward’s volume of poetry Llangollen Vale, with Other Poems (1796), the dissemination of which forms the subject of my paper.

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Sarah Ponsonby, Frontispiece for Anna Seward,

Llangollen Vale, with Other Poems, published by G. Sael, London, 1796.

‘Pledges of an highly-prized friendship’: Anna Seward and the poetics of exchange[1]

This paper will focus on the production, dissemination, and publication of Anna Seward’s 1796 work Llangollen Vale, with Other Poems in relation to the ‘Romantic friendship’ cultivated between Seward and her numerous friends and correspondents. It will argue that the exchange of this collected volume of poetry testifies both to the genre’s affective nature as well as the complex material and social processes exemplified by contemporary gift exchange.

Comprising nine poems written by Seward and a prefatory sonnet by her friend, the Rev. Henry Francis Cary (1772-1844), the majority of the volume’s constituent poems were written whilst Seward was visiting the residences of, or places associated with, her intimates, and accordingly the volume is characterised by the sentimental nature of its inclusions. This affective function is demonstrated particularly by the volume’s titular poem Llangollen Vale, which eulogises Seward’s relationship with her close friends, Lady Eleanor Butler (1739-1829) and Sarah Ponsonby (1755-1831), the so-called ‘Ladies of Llangollen.’

Specifically, the paper will consider how Llangollen Vale both constructed and reflected Seward’s prolonged acquaintance with Butler and Ponsonby, two women who had eschewed marriage by eloping from Ireland in order to live together in rural Wales, and whose queer reclusion mirrored Seward’s own ‘romantic friendship’ with her adopted sister Honora Sneyd (1751-1780). Having visited Butler and Ponsonby in their home Plas Newydd in 1795, Seward established a consistent epistolary communication with the women, marked by the exchange of objects, ideas, and sentiments, and in which poetry – in both its literary and material forms – was central. Whilst the term ‘romantic friendship’ has been dismissed by queer theorists for its sanitisation of potential lesbian interaction, this paper reclaims the expression, instead expounding the notion of ‘Romantic friendship’, to denote the cultivation of a creative and productive community between Plas Newydd and Seward’s home in Lichfield, characterised by the emotional attachment and intellectual pursuits of its participants. It will argue that this ‘Romantic friendship’ was primarily enacted through the exchange of poetic productions and gifted objects, which in the absence of their senders, functioned as agents of sentiment and respect, whilst simultaneously generating a dynamic literary and material Romantic culture centred amongst the women.

Embracing narratives of circulation, transcription, and commemoration, this paper will therefore argue that the exchange of Llangollen Vale, with Other Poems was a complex literary and affective transaction. As suggested by the creative and material responses to this gifted poem, its dissemination was part of a reciprocal poetics of exchange – not merely a literary act, but a social one that cultivated an intellectual, sentimental, and material network of decidedly Romantic friendship between the women.

[1] A. Seward, Letters of Anna Seward: Written Between the Years 1784 and 1807, 6 vols. (Edinburgh: George Ramsay & Co. 1811), Vol. 4, p. 131.

 

Week in Review: August 21

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Love Me, Love My Cat, Print made by James McArdell, ca. 1729–1765 after Philippe Mercier, 1689 or 1691–1760. Mezzotint, Sheet: 12 7/8 x 8 3/4 inches (32.7 x 22.2 cm). Yale Center for British Art, Paul Mellon Fund.
Love Me, Love My Cat. Print made by James McArdell, after Philippe Mercier, c.1765. Mezzotint, Sheet: 12 7/8 x 8 3/4 inches (32.7 x 22.2 cm). Yale Center for British Art, Paul Mellon Fund.

This CFP for ‘Felines and Philosophers in the Eighteenth Century‘, a proposal for a panel at the American Society for Eighteenth-Century Studies annual conference, Pittsburgh, PA, 31 March–3 April 2016.

This networking session for those collecting materials or carrying out research on Muslim history or heritage – Why don’t we just talk to each other? Building Cross-Sector Connections to Make Muslim Heritage More Accessible.

Imperial & Global Forum’s post ‘Top Picks in Imperial & Global History’.

This advisory post for PhD students commencing their studies by Pat Thomson on ‘working with literatures‘.

This workshop at the Bodleian Libraries Catholic Legacies, 1500-1800: Uncovering Catholic lives and records.

This book history CFP Books & Print between Cultures, 1500-1900 (18-19 September, Amherst College).

Amanda Littauer’s post for Notches Blog “What can I do to be normal?” Queer Female Desire in Letters to Dr. Alfred Kinsey.

Research Blah, a collaborative blog which grew from a training workshop: ‘Research Blogging in the Arts and Humanities’.

The Schomburg Center Scholars-in-Residence Program for Research in Black Culture.

This wonderful-sounding CFP Fabricating Truths: African-American Women and Clothing in the 19th Century August 28, 2015; March 17-20, 2016.

Week in Review: August 14

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Things that have caught my eye this week:

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All of the posts from the wonderful The Voices of the People online symposium. Check them out at https://manyheadedmonster.wordpress.com/

CFP: for the Heritage, Arts & Culture strand of  RADICAL HISTORIES/HISTORIES OF RADICALISM (a major conference and public history festival): http://www.raphael-samuel.org.uk/noticeboard 

CFP: Long-Eighteenth-Century Research in Progress Seminar (Michaelmas Term 2015)  http://recsoxford.org/2015/08/09/cfp-long-eighteenth-century-research-in-progress-seminar-michaelmas-term-2015/  

CFP: History of Women, Genders and Sexualities, June 1-4, 2017  https://networks.h-net.org/node/73374/announcements/78569/call-papers-%E2%80%93-17th-berkshire-conference-history-women-genders-and 

CFP: The Art of the Book, Cardiff University, December 4-6 2015 https://scolarcardiff.wordpress.com/2015/08/13/cfp-art-of-the-book/

CFP: THE “POETESS” IRL: The World, Work, and Performances of Nineteenth-Century Women Poets http://call-for-papers.sas.upenn.edu/node/63344

This excellent Gender History Bibliography from Charles Upchurch https://cju11215.wordpress.com/2015/08/14/gender-history-bibliography/

This blog post by @willpooley on the importance of the character of the historian – ‘Make Yourself A Character?‘ https://williamgpooley.wordpress.com/2015/08/12/character-historians/

And the latest addition to the Association of Art Historian’s brilliant Oral Histories project: ‘Interview with Martin Kemphttp://www.aah.org.uk/projects/oral-history/interviews/interview-with-martin-kemp